The question is not that straight forward and everyone should in this case integrate components.
Is there any CD-player or phono-pre that is able to throw 8...12Volts on the output out here? I know that not too many and if you need that kind of output to feed your amp than you wouldn't get away without active preamp.
Many poweramps are in reality sort-of integrated ones with high input sencitivity and gain that is very close to integrated amp except the volume control: McCormack, Counterpoint, VTL, Bryston... SS amps even have an extra input high impedance small signal stage making three all together: input stage, driving stage and the output stage where the input stage in reality is a preamp! Do you need to go active in that case? I'd say no... If you already have preamp why get another one on your signal path? In case with tubes an input tube with its local feedback signal return as a buffer tube as well so you don't even need your CD-player or DAC to be buffered.
Another aspect is that poweramp sencitivity is usually rated Volts/per FULL output power and the sencitive ones go from .6V upto 2V depending on delivered output power. Do you always listen on the peak powers? Than I'd say it's wrong. The best volume position is where the amp "feels" the best.
I've done measuring and plotting graphs experimentations of many amplification devices FETs, Bi-polar and vacum tubes and figured that excessive attenuation before input drastically changes the bandwidth curve of ANY amplification element. The amplification ratio 'dB v.s. bandwidth depends on the working region of the input/output characteristics. Mainly the IMPEDANCE characteristics of the any active element will dictate the shape of curve for any imput signal.
The best and simple example to demonstrate for casual listener is to bring to your system TWO active preamps connected in series(I know that that is to extremes but very and very obvious). Use the first preamp for the volume and on the second one set the volume to the minimum. In result you will only hear bass and upper freequencies with midrange laid far far back. The same situation but to the less degree occurs when high gain active preamp is used with high sencitivity amp.
There are simply a couple of philosophies in audio electronic devices and different manufacturers take either one of them or combine both and thus every component does perform its own task for what they've been designed.
Shortly saying one would say that preamp should be designed for the minimal task and the other would say that poweramp is a critical component... The rest is for your ears and experimentation.
P.S. you can easily search through the older posts here to find out about successfull integration of a passive preamps into your system.
Is there any CD-player or phono-pre that is able to throw 8...12Volts on the output out here? I know that not too many and if you need that kind of output to feed your amp than you wouldn't get away without active preamp.
Many poweramps are in reality sort-of integrated ones with high input sencitivity and gain that is very close to integrated amp except the volume control: McCormack, Counterpoint, VTL, Bryston... SS amps even have an extra input high impedance small signal stage making three all together: input stage, driving stage and the output stage where the input stage in reality is a preamp! Do you need to go active in that case? I'd say no... If you already have preamp why get another one on your signal path? In case with tubes an input tube with its local feedback signal return as a buffer tube as well so you don't even need your CD-player or DAC to be buffered.
Another aspect is that poweramp sencitivity is usually rated Volts/per FULL output power and the sencitive ones go from .6V upto 2V depending on delivered output power. Do you always listen on the peak powers? Than I'd say it's wrong. The best volume position is where the amp "feels" the best.
I've done measuring and plotting graphs experimentations of many amplification devices FETs, Bi-polar and vacum tubes and figured that excessive attenuation before input drastically changes the bandwidth curve of ANY amplification element. The amplification ratio 'dB v.s. bandwidth depends on the working region of the input/output characteristics. Mainly the IMPEDANCE characteristics of the any active element will dictate the shape of curve for any imput signal.
The best and simple example to demonstrate for casual listener is to bring to your system TWO active preamps connected in series(I know that that is to extremes but very and very obvious). Use the first preamp for the volume and on the second one set the volume to the minimum. In result you will only hear bass and upper freequencies with midrange laid far far back. The same situation but to the less degree occurs when high gain active preamp is used with high sencitivity amp.
There are simply a couple of philosophies in audio electronic devices and different manufacturers take either one of them or combine both and thus every component does perform its own task for what they've been designed.
Shortly saying one would say that preamp should be designed for the minimal task and the other would say that poweramp is a critical component... The rest is for your ears and experimentation.
P.S. you can easily search through the older posts here to find out about successfull integration of a passive preamps into your system.