Actually, the pictures are woefully inadequate - just look at some of the Brit mags. A long promised effort to upgrade the graphic and especially the photo content of the mag fizzled before it got very far off the ground - I assume they just couldn't afford to really go for it. Think how much more interesting the magazine could be to look at if they had the same photographic standards as the car mags. Audio porn is not being done justice! Yeah, I subscribe. Probably the third time or so, but this time I don't think I'll get so disgusted that I'll let it lapse. They've effectively lowered my standards - and their price - to the point where I just don't care that much anymore. It comes, I read it in a day or two, and the basic update info it contains makes it worth the $12 a year it costs me. Occasionally I get infuriated with the lameness of the formula, but why get all worked up? The damage has already been done - the industry mold is set as it relates to the audio press. If I cared more about the high end, I might not subscribe as a protest, but I'm really just a voyeur who takes this hobby very lightly compared to many. Just the sort Stereophile depends on to subscribe ;^)
I recently emailed John Atkinson of Stereophile
I was concerned lately by the lack of Class "D" preamps in latest Stereophile Recommended Components listings and e-mailed John Atkinson the editor, who implied that because many newer preamps exceed the Class D limitations and newer preamps simply outperform their older bretheren, this class was currently empty. Which got me thinking: one can purchase a used Conrad Johnson PV10a or a Conrad Johnson PF-2 on this site for around six hundred dollars. Does this mean that Newer preamps in the same basic price range, like the new Parasound Halo which goes for $799 at Audio Advisor "sound better" than vintage gear? Any thoughts?
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- 51 posts total
- 51 posts total