I was 12 years old when I first heard a "hi-fi" system. It was in the home of my uncle Jack. Jack had a profound love of opera and he was rather a good researcher, dedicated, systematic and disciplined...just like we more recent audiophiles are.
I feel in love with the sound and power that music had over me while listening to his system...all I remember, as far as his equipment is concerned, is Wharfdale speakers in a sand filled cabinet and a tube reciever. What bliss and magic I experienced I can never fully express.
All I could think of was the world that listening to music opened up for me...a new dimension really.
I began to haunt audio stores...at that time...we are speaking about 1955...the speakers were "naked" in cut out holes on the wall. I would take home brochures, and pour over the images of tubed gear, comparing this one with another...I tried to listen critically, but to my 12 year old ears everything sounded incredible.
When I turned 13 years old, my father surprised me with an audio system of my own...I would have preferred if he had let me "pick it out" myself, but instead he turned to my uncle Jack for advice and I wound up with a system almost identical to his...
Less than 10 years ago, I once again became interested in purchasing an audio system and I became curious about what was available "out there." You know, what we often call "state of the art." I naturally turned to the magizines that were available, including Stereophile.
I still read Stereophile and TAS, preferring TAS because the reviewers seem to allow a more human sense of their presence to flow along the linear portraits of the audio gear under their scrutiny. But every once and a while, Stereophile allows an article into print that is interesting and informative.
But it is here, in this forum ,and to some degree in AA (I wish AA was not so poorly designed, we have it good here at Audiogon, with a very easy to read organization of material...Bravo! to the designers) that I have found friends that have helped shape my critical direction for audio gear...for the most part, I am now into rather inexpensive solutions, made by individuals that hand build there gear one at a time.
Who would have dreamed, that we would someday have the internet, as an active daily forum and conduit, that we could speak to one another "through"!!!!
The magazines have taught us a great deal, however. At their best they show us a disciplined, rigorous, careful, sensitive and human approach to accessing the "value" of a piece of audio gear and help to wet our appetite for it...we do like to be stimulated in that direction, after all. At their worst, they are boring, repetitive, predictable, and act out of self-interest.
What is interesting here, I believe, is that many of us, because of this forum, have raised our own level of critical thinking to at least the level of the best magazines...and that, I think, is partly a direct consequence of writing in this very forum over time, and sharing ideas and realizing where we get "stuck" and where we get "rigid" and getting past it...in other words...all of us are "practicing" reviewers.
No wonder we are so critical of the so-called "professional" reviewers.
Still, I am continually amazed at the passion and interest we seem to generate as a "community."
Keep up the good work...give the magazines hell, if that is what you think they deserve...in this way we act as a "corrective," a balance, if you will, to the magazines commercial interests.
Richard
I feel in love with the sound and power that music had over me while listening to his system...all I remember, as far as his equipment is concerned, is Wharfdale speakers in a sand filled cabinet and a tube reciever. What bliss and magic I experienced I can never fully express.
All I could think of was the world that listening to music opened up for me...a new dimension really.
I began to haunt audio stores...at that time...we are speaking about 1955...the speakers were "naked" in cut out holes on the wall. I would take home brochures, and pour over the images of tubed gear, comparing this one with another...I tried to listen critically, but to my 12 year old ears everything sounded incredible.
When I turned 13 years old, my father surprised me with an audio system of my own...I would have preferred if he had let me "pick it out" myself, but instead he turned to my uncle Jack for advice and I wound up with a system almost identical to his...
Less than 10 years ago, I once again became interested in purchasing an audio system and I became curious about what was available "out there." You know, what we often call "state of the art." I naturally turned to the magizines that were available, including Stereophile.
I still read Stereophile and TAS, preferring TAS because the reviewers seem to allow a more human sense of their presence to flow along the linear portraits of the audio gear under their scrutiny. But every once and a while, Stereophile allows an article into print that is interesting and informative.
But it is here, in this forum ,and to some degree in AA (I wish AA was not so poorly designed, we have it good here at Audiogon, with a very easy to read organization of material...Bravo! to the designers) that I have found friends that have helped shape my critical direction for audio gear...for the most part, I am now into rather inexpensive solutions, made by individuals that hand build there gear one at a time.
Who would have dreamed, that we would someday have the internet, as an active daily forum and conduit, that we could speak to one another "through"!!!!
The magazines have taught us a great deal, however. At their best they show us a disciplined, rigorous, careful, sensitive and human approach to accessing the "value" of a piece of audio gear and help to wet our appetite for it...we do like to be stimulated in that direction, after all. At their worst, they are boring, repetitive, predictable, and act out of self-interest.
What is interesting here, I believe, is that many of us, because of this forum, have raised our own level of critical thinking to at least the level of the best magazines...and that, I think, is partly a direct consequence of writing in this very forum over time, and sharing ideas and realizing where we get "stuck" and where we get "rigid" and getting past it...in other words...all of us are "practicing" reviewers.
No wonder we are so critical of the so-called "professional" reviewers.
Still, I am continually amazed at the passion and interest we seem to generate as a "community."
Keep up the good work...give the magazines hell, if that is what you think they deserve...in this way we act as a "corrective," a balance, if you will, to the magazines commercial interests.
Richard