Is "live" music sound possible for under $1K


I primarily liston piano, chamber and opera. I was wondering if anyone had experience producing a realistinc presentation for about $1K not including the source? My listening room is 14 x 20 X 8. I thought this could be accomplished by an inexpensive tube pre-amp ($200-300) and older vintage amp such as a Pioneer Spec 4 or Yamaha approx $300, and possibly some older klipsh's (KG-4) or newer Axiom's M22ti's approx $400. Am I on the right track? Has anyone been able to accomplish this? Any recommendations for any of the 3 items?
madfab200e793
Forget about "live' in this price range. In term of the highest quality sound per se, a presume that a tube headphone amp and headphone will be the best combo under one thousand dollards.
what about used triangle titus ($340 demo set on sale), creek 4330 MKII (one on sale for $330) and a cambdridge D500 SE (used $260), add some $30 interconnects and get your own cable speaker at home depot ($40). The whole thing at $1000!! If you get the upgrade buzz, there is a lot that can be done for the CD player for less than $100 for external power supply and vibration isolation.
Happy listenings, Salsero
hOPEFULLY YOU CAN SKIP THE DAC AND THE PRE-AMP AND DRIVE THE AMP RIGHT FROM THE SOURCE. tHAT WILL CUT COST AND INCREASE MUSICAL/DETAIL RETREIVAL. So you need an amp and speakers and cable. Cable; Acoustic research cheap and great, even Stereophile agrees. Check Sears. How 'bout 'Wave 8's (tube amps/ $100.00 ea. mono.) and used Klipsch spkrs.??? Forget about "LIVE" go for "GOOD MUSIC". Yamaha does good too. And Denon, Rotel, NAD, Creek,. Go used at this level!!
I started this quest about 30 years ago. Only in the past year have I accomplished my goal. I had to invent a new type of speaker and cables to make it all sound like there was no audio components functioning, just music in its most pristine state. The key to all of this are the power cords, without them the whole effect collapses. We have tried these cords in many conventional systems with similar stunning sucess. The point I am trying to make is, the place to look for the greatest impovement/advancement are the power cords but not the ones in the magazines.
The question of making a system sound like "live music" often troubles me - perhaps because I've never heard live music sound all that fantastic - per se. Admittedly, I've never been to a symphony but I have seen live jazz as well other various concerts (which often caused my ears to ring).

Most "audiophiles" would agree -- whether one likes the music or not -- that Diana Krall CD's usually sound pretty nice on a high end system. Just this past weekend, I saw Diana Krall in concert at a small venue in Oakland California - the "engineers" who set up the venue used as little amplification as possible to reinforce the performers acoustic instruments and I don't think Diana's Steinway was miked much at all. Diana's vocals were of course amplified -- but she didn't sing much - she mostly played Piano and watched the guitarist do his thang and worshiped her bass player.

I feel the engineers did a good job with this setup as it was one of the better sounding shows I've been to. The Piano was perhaps a bit soft in comparison to the guitar and drums. The bass might have been soft too, when compared to Diana's recordings. And when Diana did sing, she didn't / doesn't "BELT OUT" lyrics. She sort of whispers into the microphone. Keep in mind, this venue is/was being considered as a recording location for Diana's next album (which as of Monday June 2, is underway).

That said, and by audiophile standards, the sound was simply mediocre at best. It lacked many of the qualities audiophiles look for in their systems and had many of the qualities audiophiles DO NOT WANT.... Diana likes to BANG on the piano and ya... that can be a bit bright at a live show. Made me cringe.

Ultimately - I believe the attraction to live music and the perception that it is "so good" is the fact that you hear everything the performers and the venue have to offer -as it was performed -- which unfortunately isn't the case with recorded music. Much of that "you are there feeling" is ambiance that is lost during the recording process - and rarely (if ever) found on CD.

Make sense?