VAC - any comments? Good or bad.


I am considering buying a set of VAC amplifiers. I have read comments on other companies before her in the forum section, but have never read anything on VAC. Anybody got anything good or bad to say about these guys? Thanks for your comments.
dfrigovt
Oh ya my sentiments exactly.....I have had many pieces from VAC over the last 15 years, the most recent and current is the 70/70 III amplifier. There is no question that VAC absolutely makes some of the most musical gear available for the dollar-regardless of price. And their design and craftmanship are second to none IMO. And just as important to me when buying expensive high-end gear is the commitment of the manufacture to support his/her product and I can tell you from my own experience that the customer service at VAC has always been nothing less than stellar! Kevin and his team has always, and continues to, make every effort and sacrifice to support his product and make his customers happy. In my opinion VAC exemplifies all that is great in this fun hobby.
Lrsky, you still don't get it! I have absolutely no axe to grind, DON'T OWN the bloody amp, and will try to answer your queries in order, as I flip back and forth: I used the terms "gods" because the suggestion that CEO's be called in to assess a simple differential test is technically naive. Any of the mentioned companies techs well-grounded in the scientific method would pass on the test without mention. Seriously. You simply do not see this. Secondly, the Verity Audio fidelio poses no unusual load whatsoever, being of fairly flat impedence with a 5.7ohm min, I think. But OF COURSE it's expected that the results would be different with a change in speaker IF the output impedence of the test amp was high. That's precusely the test's hypothesis! Why the bugaboo that the results simply prove convincingly that to be true? Again, changes in LOAD, and room loading, areinconsequential, as they are FIXED across all trials. Again, the basis for a differential series of test runs: only one variable (the amp) changes. Please try hard to understand the reasoning behind this. No condescension meant. It's critically important....Only one mic was used, so it's calibration is not of concern. Do you understand why? If not, I can explain later. Again, as the room anomolies remain FIXED, their effects are NOT of concern. Your dig was not necessary. I've TAUGHT more real scientists than you can count. No, I did NOT use more than one set of speakers (one per channel), because the point was NOT to investigate HOW the VAC varies with speaker load changes, which is another experiment requiring different test equipment. My test procedure was only to determine what the DIFFERENCE in frequency response was between the VAC AVATAR and the two SS amps I had on hand, as empirical audible evidence indicated a great discrepancy....No, I did NOT in any other way test the VAC beforehand, as it was a dealer demo, and naively trusted to perform normally. Both output halves matched, which seemed a rudimentary qualification, as well. It's not a customer's job to perform manufacturer's final QA. Yes, I'd rule out the 8' Nordost Red Dawn cables' very low inductance and resistance as significant contributants here. But that suggestion simply muddies the waters again! All system componentry (test equipment and conditions) were listed, unvaried, and NOT unusual in any way such as to skew freq resp between ss and valve amps, as most will agree....Again, I didn't "buy such flawed equipment", and thus didn't "lie in the bushes to ambush" anybody. I simply doubted what a gushing salesman who sold me Verity Audios told me about the Avatar, as my ears heard differently, so I tested it against two other amps in a very simle, but VERY VALID manner, and produced extremely significant results. Certainly NO-ONE has countered the methodology to date. A full list of the raw data is available to VAC as well anyone, although I doubt that anyone cares at this point, 4 yrs and a redesign of the amp later!...Again, why is my testing incomplete and imperfect, Lrsky? I remember back in the mid 80s I sat as the US rep on a Technical Advisory Group at ISO Tech Com 42 (Lab Equip) in Frankfort, where the DIN Secretariat lauded us for writing a standard that was efficient and tight, containing only what was "sufficient, but necessary". It was important him, as he had to organize translation into 17 languages for balloting. If I had tried to reinvent the wheel with every procedure we proposed in an ISO method we would never have gotten anything done! So sir, you may or may not be another Hemingway, but when it comes to running a simple differential test, please just trust that I know what the hell I'm doing. And I'm quite sure that a coffee mug can look like a red herring from certain clever angles, and necessarily so, as it's easier to shoot the messenger and leave the waters muddy, as you've done....
However, it IS true that NO ONE knows if the suspect AVATAR was working correctly when tested. I do remember that it sounded the same in BOTH channels, in both triode and pentode mode. So I continued like an ordinary consumer, trusting that it was a normally-functioning unit. It had ample output, too....
Lrsky, your last condescending remarks are is absurd, and perhaps psychological projection? I need ask no one if my testing methodology is valid. Chrissake, just take any college-level lab course and learn how to perform a one-variable test procedure. It's not alchemy! I've designed a couple of two-ways, and a three-way in the early 90s, using the same test setups to carefully tweak crossovers in 1/3 dB increments over 1 octave bands, thereafter learning you can't get a manufacturer to supply you with driver pairs matched well enough, and I didn'rt want to get into computer-matched pairs. I have GREAT respect for Verity, Snell, even Boston, et al, who control driver spec closely enough to make nice clones. I learned this from many years controlling production and QA of the world's most popular laboratory volumetric measurement equipment, called the Gilson "Pipetman". It's a handheld small volume auto-pipettor used down to 1 uL, calibrated by differential test methodology I developped in the 70s using gravimetry at the
1ug sens level. It's this stuff that I honed into ASTM and ISO standard procedures for calibrating volumetric ware so users in labs worldwide could test their pipettors, dilutors and dispensors inhouse efficiently instead of having to buy new ones, or, as you would prefer, Larsky, measure the room, all the beakers, and maybe the drapes too, and perhaps ask for permission before seeing if it's ok! Sigh...why the doubting Thomas?
Of late my semi-retirement and slipped disc has me still enjoying life in a third career as Boston's SubaruGuru, and as a contributor to this community, supplier of nifty $39 DIY all-Teflon PCKits that keep me in touch with a couple hundred of you guys....
Disgruntled? Hardly. Anti-audio? I've 50-60 cheap CD's I scooped up in Italy and at Heathrow this August I haven't even goten to yet. My two-ch ref system and my Steinway B are the aural delights of my life (plus frequent visits to Jordan and Symphony Halls). ANTI-audio? You been writing too much commercial copy? Re VAC, I have nothing but respect for a small successful company that manufactures great products. I've been self-employed for 20+ years. I have several friends whose small basement ops are now $5-8M music/audio companies, and believe me their noses are to the grindstone. I also just sold a Subie to the wife of the ex-production manager of one of them who, after 15 yrs, got sick of rushing product out the door to meet trade-show dates, brushing aside QA warnings. I wore BOTH those hats in the 70s and 80s at the same time, here in Boston AND in France; I know the stresses implicit when you've promised you'll never ship a product until it's perfect, and then you release a first batch, and then a second level tech finds a flaw two days later....
So yeah, it's easy to say that I got a bad AVATAR, or to incorrectly convince the naive that because I didn't calibrate a mic or measure the drapes my test is flawed, but that's all bull, and the congnoscenti know that. No axe to grind. I'm not into high output impedence tube amps. I tried ONE, May 2000. It went crazy on the VA Fidelio...sounded horrible. Freq resp was crap, as THREE SS amps self-agreed as a group. Here are the numbers: nice and valid. AVATAR since redesigned. Fine. Everybody's happy. 'Cept Lrsky. Why?
I have owned vac renaissance 70/70,s for over 4 years,it is a solid reliable great sounding piece of equipment,currently driving quad 989,s to good effect.A friend bought some class a/b more powerfull mono blocks and suffered a few minor glitches.Kevin Hayes handling of the situation marks him as a gentleman and person to be trusted.Great product designed and built by an honorable company,pick the correct model for the job and relax.
Hi,

Just wanted to raise a couple points about the above discussion. I don't believe the standard Avatar has been redesigned, although VAC may have made some minor changes since its introduction several yrs ago. VAC has come out with an Avatar Super, which I believe retails for $6000 versus the standard Avatar's $4000 price. The Super is a complete redesign, using diff. tubes and circuits, so the standard Avatar cannot be upgraded to a Super. And, yes I am a satisfied standard Avatar owner.

I have no technical knowledge with which to comment on the disagreement expressed above. However, with one exception noted below, I've never had any major problems with my Avatar, while using w/ Spendor S3/5s and 2/3s, Reference 3A de Capos and now Living Voice Auditoriums. I have listened in the shop to several SS amps versus the Avatar, including Creek, Roksan, Sim and Marsh, and never felt the Avatar deficient compared with them. However, I will mention one potential short-coming. When I had the de Capos, even though they were a fairly efficient speaker I found that in triode (27 W) they often simply didn't have enough power with large-scale classical & rock music to produce the low frequencies with sufficient authority, and that I had to switch to ultralinear (60W). This was never a problem with jazz, blues, etc., and my LV speakers, while they have better LF response than the de Capos, are also more efficient so it is less of a problem. However, my experience suggests that the Avatar esp in triode simply may not have enough power to drive a "full-range" speaker of average or even above average efficiency, in a larger room, esp. with large-scale music. I can understand that some people would view this as a serious flaw in a $4000 amp. However, I believe the Avatar, when used in a moderately sized room, with fairly efficient and "tube friendly" speakers, and with good supporting equipment, is a very neutral sounding amp, and delivers some of the best reproduced music i've heard, esp. jazz/blues/"classic" rock, etc. Just my two cents.

TH
TH, again perhaps the unit I borrowed was somehow seriously defective. FYI, output difference between triode abd ultralinear was +1.2 dB pink. That may or may not be a hint to VAC of whether this unit's performance was outlying the norms back in May 2000. Wish I had recorded the Serial No. for their attention.... The dealer (Ensemble in Arlington, MA) went belly-up in '02 as well, so tracing it seems difficult. Believe me, there was NOTHING neutral about this unit back in 2000. Glad you're happy. And if the Avatar is such a good circuit that it merited serious attention to upgrading with the result that VAC expects the market to laud it at $6k, then I trust that they know what they're doing, and hope that I simply happened to get a bum one.
But please, don't shoot the messenger nor his methodology.
Almost every biochem, analytical chem, microbio, virology, epidemiology, etc. lab in the country uses volumetric ware calibrated by "short-cut" procedures I honed and published in the 70's and 80's (that and a buck get's me HALF a cuppa...); so if you trust that your blood test comes back with some semblance of accuracy, or the cancer research at least seems to hold SOME sense of statistical promise for your mom's lump, please give me a bit of credit for somewhat creatively differentiating lousy performance in a specific horribly non-linear amp. Sorry for the wax job.