Is solid state on the brink of extinction?


I am curious how many out there, like me, that have come to the conclusion the age of solid state, and perhaps tube gear, is closing.

In freeing needed cash from my high end audio recently, I was forced to look for a less expensive alternative. To my surprise, the alternative turned out to be an unexpected bonus.

I have notoriously inefficient speakers. I was sure I would have to sell them once I sold off my large solid state blocks.

Going on a tip from another amp killer speaker owner, I bought an Acoustic Reality eAR 2 MKII Class D amp. This tiny amp caused a revolution in sound benefits over my ss mono blocks.

My speakers gained in speed, depth, control, detail, range, clarity, and dynamics.

It didn't stop there. I also sold my front end, and bought a very cheap programmable digital DVD. It also proved to be better that my old disc player. My playback gained in detail, separation, depth, bass control, bass extension, and treble extension. The mids are just plain natural. Reverberation decay occurs evenly and naturally.

Has anyone else had a similar experience of moving from solid state or tubes to digital? What do you see as the future for solid state component producers? What of tube amps?
muralman1
Muralman, the sublety of the above posts is obviously lost on you so let me, the "feisty one", spell it out. You come across as a shill (look it up). You would have us believe that a discontinued speaker generously described as notorious now powered by a "revolutionary" amp only sold "factory-direct" defines the "state of the art". Who can replicate your experience? And why would we take your "word" when you so easily confuse dB with Hz in your posts? And your obsequious email to Acoustic Reality as "Vince" 11/03 undermines your veracity to the point that I must ask: What financial stake do you have in the North American distribution of Acoustic Reality products? Better yet, where can I find these gems at CES next month?
Khrys,
Muralman has been posting on these boards for quite a long time, and his posts usually revolve around the Apogee speakers. There is really nothing to suggest that Muralman is as shill; if he were one it would be for the defunct Apogee corporation. He has also praised Pass labs many times. The tone of his posts are also inconsistent with having been suborned.
I personally appreciate when a audiogon member chooses to share his experience with a "new" technology, (although this technology is not new). As in many other circumstances, the reader needs to temper his acceptance of proferred opinions with the knowledge that enthusiasm might be tainting the objectivity of the observations. Nevertheless, in regard to the subject at hand ,there is considerable interest in these digital amps, and some people have reacted very passionately to them, suggesting much more vehemently than muralman, that ,for example, the ps audio is better than almost any amp available. In the last several weeks there have been treads about the carver pro 1600 and some sort of giant killing panasonic receiver. My undestanding is that Rowland is also thinking of marketing an amp based on this technology. Thus, I think it is great that muralman has shared his experience. Of course there are shills on this board but they are usually easy to spot, (first time posters, those recommending expensive mods performed only by one company etc). I ,for one, would hope that everyone would be feel free to share there experiences without apprehension of being unfairly maligned
As I see it, Muralman has maintained a long-term relaionship with his Apogees. He now seems to have found an amp that mates perfectly with his long term partner and his enthusiasm knows no bounds. As fellow audiophiles we should be happy for Muralman.

Btw, the title of his post is kind of silly since these digital amps are solid state amps.
The "tube sound" and the "solid state sound" relate to the
distortion spectrum characteristic of these devices when used in a linear amplifier.

In a digital amplifier, the characteristics of the ouput devices, tubes or transistors, are irrelevant because they are full on or full off all of the time. The output devices could be relays if you could find ones that switch fast enough. Any sonic characteristic is the result of the algorithms used to control the output devices.