What steps forward were actually steps backward?


I'm always fascinated to read about how many "upgrades" were improvements, and that very few were actually disappointing and could be considered a "downgrade". Are we all so knowledgeable and incisive that all our hardware purchases are always for the better?

Who is willing to admit that their "upgrade" was a "downgrade"?
128x128nrenter
Getting rid of my Bel Canto DAC-2 in favor of SACD was a sorry move. At least I was able to get a replacement DAC-2 here for a fair price and dump the SACD player.

I don't want my components to be musical, I want them to be accurate so I can hear the music as recorded. I don't like warm or sweet or any other type of coloration. I want an accurate presentation so that the music has a chance to be heard and hopefully, be musical.
Onhwy61, Good try, as far as it goes, at explaining why low-fi systems sound more musical than many (or even most) high-end systems. Apart from the tacit admission that low-fi systems do in fact appear to have better timing/musicality, you miss the fact that by cheap systems I include also cheap "audiophile" systems, which also, overall, manage to convey the timing/rhythm/musicality of music far more often than high-end systems do, without all the distortions you list. Which is why we probably end up in this obssession. As well, many high-end systems feature mini-monitors which have no bass to speak of, and yet still manage to lose the musicality/dissect the music. Through my years of various audiophile components and systems, I was always astounded at the direct musical communication which comes from my sister's Rotel receiver/Optimus LX5 system, which I set up(!), which is overall quite sophisticated (that superb ribbon tweeter), yet which communicates the music directly and without effort, making everything sound good. I always left her house with doubts. I know this is a very common experience for all of us (c'mon, admit it), and when we return home we convince ourselves on the basis of more air, better imaging, more detail, and so forth...and then we head out to the stereo store to see what we can improve. I think the plain fact of the matter is what I stated: designers with clipboards and textbooks and no real gift. Perhaps there is an unknown ingredient X which gets washed out with improved power suply regulation and so on, or perhaps it is simply the relationship I set forth earlier: amount of information is inversely proportional to musicality, overall (which is kind of like the Heisenberg Uncertainty Principle, come to think of it...).

It may sound corny, but we have to learn to listen with our hearts instead of our heads, and demand the same from audio designers, or else Pack your Bags, Scum! Now, having inherited high-end speakers, I am faced with spending thousands of dollars to gain - maybe - that musicality I had when I retired from the game with a pair of Sound Dynamic speakers and a pair of Wave 8s driven by a Pioneer preamp. I did the tour of the shops, considering expensive Tannoys, the Reference 3As, Energy Veritas, all of which sounded impressive....and then I had the idea to see what the new Athena Technologies incarnation of the Sound Dynamics were like, specifically the AS-F2s at $600. They were hooked up to a Harmon Kardon receiver, the guy turned them on (I wasn't expecting anything), and when they sarted to sing, my soul started to sing. And I immediately heard that ingredient X which put a huge smile on my face. I foresee a lot of audio fun in the near future. I don't known what it is (certainly timing is a part), but I think damn the high-end neutral speakers (I'm going to sell them), I'm buying the AS-F2s tomorrow, I think (they're enormous, however), and I bet they'll sound terrific with my new Wave 20s. You see, I am upgrading! But I can't stop thinking about how good that HK sounded as well. I lifted it to see what kind of transformer there was inside, and it weighed a ton. Damn it sounded good, is there someone with talent working at HK? Hmmmmm.....I'm at my sister's right now, and I can't believe how good her system sounds right now, as she happily plays music for hours without thinking anything but "this is a good album!", playing Santana right now, I think I gotta buy this one....
Buying cheap components as stop gap measures and also to placate the wife have lead to unsatisfactory music reproduction. Too many artifacts in the music presentation just prevented me from enjoying the music, as that is what it is really about. Some one once told me "Buy cheap, buy twice". That has proven itself to me over and over again. Also spur of the moment buying in the mid-fi store (aka Tweeter, etc.) has produced the same experience. I was never happy with what I ended up with from that place. Also listening to the hype surrounding this hobby has proven itself to be misleading. A component with 50+ positive reviews on Audioreview.com and mutliple positive posts here were proven wrong (IMO). The component, in my system, was a dissapointment from the start. It never lived up to its hype.

So, live and learn. I'm pretty happy now, but I've taken a few hits in the wallet to learn what sounds good to me. Listen first and decide for yourself.
The trick to downgrading or buying "budget" equipment (due to the ridiculous prices of cables these days the concept of "budget" has become distorted in this hobby: recently two high-end dealers in this area said that people spending $1500 on a component were cheap - but I put it to you all, while many on this website label $1500 components "budget", you'd go apopleptic if your mechanic tried to screw you with a $1500 bill for repairs, wouldn't you?!), is to focus on musicality and timing, and forget about all that audiophile bullshit (which a good budget component will give in good measure anyway) in which a budget component will of course fail to measure up. But given a truly musical piece, you just don't care about all the missing "information". Now if we all followed this philosophy in buying this equipment, maybe there would a "Trickle Up" phenomenon, and we could expect all high-end components not to disappoint us in the long term, and the designers to start listening instead of measuring. I know I'm pie-eyed.