Mboldda1, John Curl is a brilliant audio engineer & if he was able to produce gear without costs constraints, it would result in high quality sounding equipment in my opinion. His designs in the 90's offered reliability, high current, & a high damping factor which were unequal at the time (well almost) but not without alot of grit & grain. Mostly midfi (and I heard some midfi products I liked better) but always targeting audiophiles on a budget who were looking for brute force & vise-grip control over the low drivers. I liked the 2200 MKll the best in terms of power versus performance. Never took them seriously as an investment in sound quality. But from what I understand the new Halo products address these shortcomings in addition to your reference jc-1's. Maybe you can tell us what you really like about these new products as it would be interesting to know. What have you compared them to so far? But given the track record in sound quality of both Parasound & Belles the latter is where I would invest. All Belles gear, regardless of price sound good from the get go.
Belles 150A Short Review
I'm going to chime in about this amp because I think it's that good! My comparisons are based on other SS amps & not tube & mostly to power amps in the $2,000.00 range & under. This amp was definitely designed for the critical audiophile. Sounds excellent with all types of music but really excels at high quality recorded material, very well refined at its price point, with good depth. It doesn't have the bass slam of a Krell, but from top to bottom, it's very well balanced. One of the things that really stood out was the height of the soundstage. While listening I felt as if I shrank in size & my speakers grew to twelve feet tall, amazing acomplishment for a solid state amp. Some SS amps I have heard that can come close to this, suffer at the expense of a large soundstage, not this one. Excellent midbass, & the midrange is very well acomplished for a SS amp more so than previous amps. A slightly warmish sounding amp (no listening fatigue here) but with superb detail, not the state of the art in transparency but very good never the less. This small discrepancy is easily over-shadowed by what this amp does so superbly right. By the way, I am using the amp with the spectacular ARC LS-1 tube preamp, which is a killer bargain in its own right. Trying different interconnects is crucial for deriving the best sound ( but not necessarily based on costs). I used some Groneberg interconnects (not extremely expensive) but the same ones recommended by Klaus for Odyssey amps. Spectacular improvement over the Audioquests, but this equation can change from one amp to another. Everytime I fire this amp up I'm amazed at what it can do & the amount of enjoyment I get from just listening, very musical! David Belles deserves a standing ovation for this fine power amp. One can only imagine what the Hotrod version sounds like but from what I understand the only difference would be the addition of strategicaly placed damping material & gold binding posts. I strongly recommend this amp!
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- 13 posts total
- 13 posts total