Spectron Musician 3 First Impressions?


I just installed my Spectron Musician 3 into my system. I had a 2A3 amp powering 96db Epiphany 12/12s. Out of the box, ice cold, the Spectron was incredible! The tonality was spot on with the 2A3 tube amp! The harmonic structure was 85% of the tube amp, and this was with less than 4 hours on the Spectron! The Spectron bettered the 2A3 in 3 major ways: 1.) Increased detail with no loss of sweetness 2.) Deeper bass with more control, 3.) Both micro & macro dynamics! Spectron says it takes 3-4 weeks of 24/7 at medium volume before the amp sounds its best. Has anyone else had a chance to listen to this incredible amp?????

Note: I am not affiliated with Spectron.
128x128darrell
I too heard the Spectron M3 SE at Steves house in Denver last October RMAF '07.
This was at the premiere of the SP-TECH Revelation new crossovers. Wow, what an unlimited resource of purity and power, never constrained or congested regardless of the
barrage of music we put through the system.

I didn't get to hear the Mono setup Steve later had, but I can only imagine "the more is better" manifest.

When looking at amps that can change from stereo to mono, there are several methods in the marketplace.

The John Iverson Eagle 200 became a new mono block (with factory inside changes) called the Eagle 400... a dedicated change over with no variable to switchback except with factory change.

The BEL 1001 amps switch from mono to stereo but RCA inputs
only.

Of course the Bryston SST designs are bridged to make monos at inception, and some can be changed from voltage to current bridging but with factory only changes.

Probably the most elegant way is what Simon has devised for the music lover from New York per above.

This is what MBL and Belles have for stereo to mono change over, RCA for 2 channel stereo amp, and Balanced XLR for the mono amp.

This I think will have the broadest appeal, to me too!
Rod
I agree, XLR for balanced mono and RCA for single ended stereo ops seems an ideal configuration for a flexible monoblock offering.
I'm a long time Spectron user. I've had the Digital One and the Musician II (not to mention a flirtation with the Musician II Hybrid, which- btw - is an incredible value) as well as a plethora of other amplifiers - both tube and solid state. About a month ago I took delivery of my Musician III SE Plus (capacitor upgrade). I was a very restrained and immediately plugged the new amp into my computer system to break in. Well, I finally put the amp into the main system. I must say, it's quite a piece of work.

I believe Simon has a lot to do with this new direction that Spectron has taken. When I got my first Digital One, I approached John (Ulrick) about possibly changing some of the parts in the circuit to higher quality "boutique" components because of my experience with rebuilding tube amps and speaker crossovers etc. __My__ ears heard a difference. Well, he wasn't to open to the idea at the time. Well times change, and it's obvious that along with a brilliant design, now Spectron has taken that next step in to creating something truly superlative. Again, I think Simon has been instrumental in this final stage. Bravo!

Most of the professional reviews I read of the amplifier sound a little milquetoast to me. What's funny is that - as far as I know- at least 2 of these professional reviewers have purchased an MIII. After hearing the amp for myself, I can better understand why the reviews read the way that they did.

This amplifier is soooo even handed about how balances its attributes that it might come off as sounding non distinctive. It's not juicy, it's not obviously airy (although it's certainly not lacking), it's not weighty/meaty (like some Krells can sound in the nether regions) but it's bass is probably the best I've ever heard. Although I've heard a more glamorous midrange with some tube amps (my dabbling with a VAC Renaissance 30/30 comes to mind), I've never heard anything that got the midrange this __incredibly__ good without drastically messing up something else (soggy bass, rolled off highs etc etc.) The dynamics of the amp are truly amazing. I've never ever heard a solid state amp this dynamic, especially the micro. I've heard some tube amps that were maybe a little bit more suave (colored?) with the small gestures, but nowhere near as able to track complex orchestral micro dynamics. The bass has really taken me a while to wrap my head around. At first I could see where someone might think it was lean. It's not. After listening to things with complex bass lines I've come to the realization that I'm used to hearing the bass with more distortion. Even complex lines come across with appropriate (and plenty of it!) weight, but without any of the bloat, blurring, or overhang I'd gotten used to hearing.

I could go on, but this post is already rediculously long. Let's just say that despite having good expectations of the MIII SE Plus, I'm still pleasantly surprised with just how good it is.

Enjoy!
btw, sorry for all the typos, spelling errors and incorrect use of homonyms in the above post. Dratted forum won't let you go back and edit posts.
Great post above! Good to hear your impressions.
Did you get the bybee upgrade too?

I am looking forward to the arrival of
a new born Plus coming into my household.

Bravo to Simon for the genetic improvements as you describe,
and standing over the arduous labor and delivery,
insuring a healthy arrival.

I am quite the demanding and worried father
but find each post reassuring as well as the kid glove handling by Simon.