Your opinion on the evolution of amps since 70s?


What is your opinion on the evolution of high-end amplifiers since the 70s?

I use the word “high-end” here not in the snobbish sense, but as a way of separating amplifiers designed for great sound from those intended for mass consumption. I am interested especially in the sound- and design changes of these amplifiers but would not mind reading about other aspects as well, such as build quality, prices and values. I read lively discussions on this topic on another site. Below is my take on the subject. I look forward to reading yours.

I caught the Hi-fi bugs in high school in the late 60s. This hobby quickly turned into an obsession in the 70s while I was still in college. I was seriously into high-end audio equipment in the 80s and 90s until their prices escaladed well beyond what I was willing to spend. Now I am just coasting.

I feel that from the 70s to the 90s amplifiers steadily improved in design, construction, and sound, especially solid-state (ss) amps. Today’s high-end amplifiers are generally more powerful and more sophisticated than their predecessors with sounds that are noticeably more refined as well. Interestingly, the sounds of ss and tube amps, quite far apart in the 70s, came closer together every passing decade though they never quite merge. Today’s ss have the edge on power, bass and treble extension while improved tube amps remain king of the midrange.

It is really a shame that the mid-90s witnessed an unconscionable price escalation leading to the inevitable shrinking of high-end audio. The much higher prices made cost-no-object designs possible but they also caused the large community of audio hobbyists and enthusiasts of the 70s and 80s to dwindle down to a much smaller group today. The design progress suffers.

That’s my short take on the subject. I can’t wait to read what Audiogoners have to say.
justin_time
About the 275 McIntosh......the new ones are different, instead of point-to-point it's on a board.

However.......I have to say that at it's price point the new 275 is a giant slayer with a most excellent sound.

Best,

Paul :-)
Hpims, I am also a tube lover, but I have not listened to a McIntosh in a long time so perhaps we can pool our experience.

I am very much impressed by the bass of NEW tube amps like the BAT or Atmosphere: dynamic, of course, and surprisingly deep and tight though still not quite the equal of the bass on solid-state amps.

My impression about tube amp frequency extension is somewhat different from yours. With all due respect to the venerable MC275, I think new tube amps go a little lower and higher than old tube amps, but ALL of them are STILL truncated at both ends. Mind you, I don't miss anything when I listen to my BATs, but when I switched to my solid-state amps, then I KNOW that I missed a lot of information, especially in the top end.

About the noise. I am impressed by how quiet my BATs are but I can still hear some rushing noise from them even in balanced mode; my solid-state amps are considerably quieter. As much as I love my tube amps, I don't think they will ever be as quiet as solid-state amps.

To get back to the point of my original thread--amp evolution--I feel that tube amps have improved: quieter and better extension in the bass and treble. But since I do not have an old MC275 to compare, I can't be absolutely sure. As to the price increase, I think we are of the same mind there.
I heard the BAT at Lyrics hifi with B&W 802s and got scared away. Still prefer the old Mac over many of the new comers.
Other than better parts from modern technology, the old school design in tube amp is still in. Not much has improved. The transformer in the old days still beats the many of the new mass production manufacturing ones today.

As far as SS goes, there are much more improved stuff. You can get reasonable good sound for the fraction of price of the 80s and early 80s
S23Chang, I guess we disagree on tubes but are in agreement with ss-amp improvement.

I get outstanding sound out of the BATs with Watts'puppies, Celestion, and Avalon Ascent.

On ss amps, I would add that even later products (up to mid-90s) could be excellent bargains. You can get very sophisticated ss amps by Counterpoint, Krell, Pass Lab, etc., even class-A amps, for $1000-$1500 or less (e.g. Threshold). Furthemore, slight modifications to some of these amps can make a significant improvement to the sound, but that's another story altogether.
the answer is no....even the vintage ss amps from tandberg,revox,mac,sumo,marantz,sonographe(cj)naim,quad,kenwood,and dozens of others sound as refined as anything being made today at any price. i recently came across an advent speaker brochure from the seventies that actually encouraged the consumer to spend as little as possible on an amplifier. kloss was a genius. a whole generation of us grew up on 'common sense' hi fi designed by guys who were as bright as any rocket scientist, yet loved music. the goal was music apreciation. well designed products favored no music catagory. a 'well designed' amp or speaker favored no catagory of music. hi end manufacturers and their consumers now have the same relationship as pushers and junkies. no amount of money is enough,and satisfaction is never guaranteed.