Why Doesn't Contemporary Jazz Get Any Respect?


I am a huge fan of Peter White,Kirk Whalum,Dave Koz,Warren Hill,etc.I have never understood why this flavor of music gets no respect.Not only is it musically appealing,but in most cases its very well recorded.Any comparisons to old jazz(Miles Davis etc.) are ludicrous.Its like comparing apples and oranges.Can anyone shed some light on this?Any contemporary(smooth)Jazz out there?I would love to hear from you. Thanks John
krelldog
Some rap shows a lot of vocal agility, comes from a real place / displays some originality ... and delivers impressively tight, complex clusters of syllables. I don't have much of an appetite for the stuff, but I respect it way more than most of the swill that's tagged as smooth jazz. As stated earlier there's a lot of music out there that functions very well as wallpaper without carrying around a load of stale corny cliches.
Phil - I started reading this thread out of morbid curiosity (the subject was a frequent topic with my high school friends growing up).  I was pleasantly surprised by the different perspectives and mostly lack of flaming.

But Phil, I could not agree any more strongly with your points.  The title of the thread reads why doesn't contemporary jazz get any respect...  It does by fans of the idiom.  It may or may not get respect from those with real knowledge of the jazz tradition (be they players or listeners), but it is an entirely illogical premise in that smooth jazz is a completely separate category of music.  Yes, great jazz musicians have performed in the idiom, some quite well, but jazz musicians can do that in most styles of music (Ala Brecker playing his ass off on a James Taylor album, Herbie Hancock recording a Ravel piano concerto, even the guy trying to sound like Freddie on the Us3 cataloop).  The moniker of Smooth Jazz was absolutely a term devised by a marketing exec to piggy back off the prestige and image of the Jazz art form.  Today, it is so bastardized that people who see jazz being advertised in a local club really have no idea what they are going to find if they go (jazz, smooth r&b, show tunes, funk, etc...).   No wonder audiences are confused and sometimes give up... 

And Phil, while I will probably never get to hit with Elliot Zigmund or some of the other cats you play with, you are not the only full time jazz musician on the thread!  We exist...

Greg
Piano
Washington DC
Though I find a lot of contemporary Jazz interesting and beautifully recorded, nothing pulls at my heart strings like a good swing pulse. Seemed more transparent to me as well.
To me, the modern smooth jazz souds as if it is being performed by musicians on Paxil. There seems to be no real tension, creativity or nuance. The accent seems to be on flow and a relaxed groove. It puts me to sleep.
Jazz-Lovers Take Heed!! A few weeks ago NARAS decided to cut/get rid of quite a few categories from the Grammy awards. One of the genres chopped was my favorite music; Latin Jazz! I realize there aren't many fans here but cutting Latin Jazz further marginalizes ALL Jazz within the context of the Grammys. A knee-jerk reaction would be to think; "who cares about the Grammys, they're irrelevant!", and you'd largely be right. While this decision doesn't affect MY listening or buying habits, I can't help but think by further limiting the already tiny amount of exposure Jazz (ANY kind) gets doesn't bode well for the future of the music. Doesn't affect US NOW, but how about our grandchildren?

The Grammys have decided MY Jazz is irrelevant, how long before they come after YOURS!?