Asa, No, I don't mean unknowable just impractical to quatinfy on any general level. Personal variables as in different genetic predispostions to different environmental stimulations at different specific times. Obviously we differ on the subject of "personal variables". As for what happens in the brain during "non-thinking mode of perception" I don't know. To think about what one is not thinking about is challangeing to say the least. Perhaps research on individuals in a comatose state when subjected(?) to music might give us further insight. It's certainly out of my expertise, to suggest otherwise would be fool hardy of me. My mention of serotonin being a by product of gut reaction was effort to demostrate that we are affected on every level. Even a meal or beverage can influence us in very real and marked ways. Forgive me but, "life is within you, and without you" on many levels. As for matter, if art is an expressive / interpertive vehicle, outside of the conceptual mode, art is matter to matter. The exception might be mathmatics (being the ignorant insensetive clod that I am, I've yet to appreciate this art form). My reference to surreality was meant in the interpertive sense. I think we actually agree on "choosing". Much in the same way we choose a "journey". We may choose the vehicle, we may choose the path, we may choose the time, but inevitably unexpected events happen in that vehicle on that path during that time. Things that are beyond the scope of our choice. We do choose the unexpected. You have no compassion for the ugly? While most Westerners don't embrace sadness because it's considered unhealthy, they can still appreciate it's beauty. Despite claims (not necessarilly yours) to the contrary we have always appreciated the beauty in both tradgedy and comedy. After all American music is very much based on the blues. With all due respect I don't belive it's appropriate for you to categorize my thinking and then dismiss it, especially when you claim that you don't understand it. Whether it's right or wrong in the human experience the truth can change, but at any particular time the truth is the truth. I don't think every interpertation is valid in the big picture, though it can be in the small one. If the interpertation has been based on incomplete or modified or with out understanding of the source (taken out of context)or on just plain faulty premises then the interpertation is suspect. Ironicaly, a faulty interpertaion may be inspirational for future art. Asa, I've tried to answer your questions. I fear that I may never satiate your inquiry. Forgive me, but I must bow out of this discussion. Your questions deserve time for thought that I can't quite afford at present. Good listening.
music , mind , thought and emotion
There is not a society on this planet, nor probably ever has been, which is without some form of musical expression, often closely linked with rythm and dance. My question is less concentrated on the latter two however.
What I am pondering boils down to:
What is music and what does it do to us
Why do we differentiate music from random noise so clearly and yet can pick up certain samples within that noise as musical.
By listening to music, we find some perhaps interesting, some which we would call musical. What differentiates "musical music" from "ordinary music" and this again from "noise"?
In a more general sense again:
If music has impact on us, what is the nature of our receptors for it. Or better: Who, what are we, that music can do to us what it does?
What would be the nature of a system, which practically all of us would agree upon, that it imparts musicality best?
And finally, if such a sytem would exist, can this quality be measured?
What I am pondering boils down to:
What is music and what does it do to us
Why do we differentiate music from random noise so clearly and yet can pick up certain samples within that noise as musical.
By listening to music, we find some perhaps interesting, some which we would call musical. What differentiates "musical music" from "ordinary music" and this again from "noise"?
In a more general sense again:
If music has impact on us, what is the nature of our receptors for it. Or better: Who, what are we, that music can do to us what it does?
What would be the nature of a system, which practically all of us would agree upon, that it imparts musicality best?
And finally, if such a sytem would exist, can this quality be measured?
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- 119 posts total
- 119 posts total