Why no Tori Amos

Wildoats - my point about criticism is that good and bad are entirely relative to the individual. They are on a sliding scale and not absolute. What bugs me is when people phrase things in the form of absolutes as if their opinions are not just opinions but should be held to some higher standard. My question was not why someone would say something like I like brown because _______ , and I don't like orange because_____________ . It's when someone starts to say things like brown blows orange away because orange really sucks. What's with orange anyway, it's not dark and rich like brown....why it's just a thin, pasty brown with no character at all. It's a brown wanabee, how sad!

Yes, it is a matter of semantics, but the energy behind those semantics, the effort to discredit one color to raise another to a status that implies it should be reveared by all, really bugs me for some reason. In my opinion the comparison to colors is perfect because it's just as silly, IMO, to making the same kind of statements regarding human beings, vegetables, high-end stereo gear, or any damn thing. Yes, there would be no black without white, but neither exists outside the human mind. Good and bad are entirely relative to being human and our (rather pathetic) need to categorize and judge and make meaning out of everything. All that shit takes us out of the moment, away from the present and sticks us firmly in our heads. Music, to me, is about anything but being in ones head, it is a pure experience of the moment. It has no requirements other than just being there, no experience is necessary. No knowledge of history, culture, nor music itself is needed to enjoy music. It is truly the universal language.

Marco

PS I can certainly understand clearly why, if Ben listens to Tori and constantly is hearing what he considers to be someone trying to poorly imitate someone elses music, that getting caught up in that head-trip would keep one from enjoying virtually anything. So that part of your explanation, Ben, I do understand. What I don't understand is the way you choose to state it. I have listened to both extensively, and am aware of the infleuences of one to the other, and can hear the similarities, but I don't think I listen with any sort of expectations at all of either one. I just enjoy them for what each are. I have no more need to state something like Tori smokes Kate, as I would to declare SET is superior to all other forms of amplification, as I know both statements are not at all constructive, nor truthful (though they may have some truth to me [neither really does], I know they would not be a universal truth). Those kind of statements are entirely relative so what's the point? Seems like a kind of public masturbation in some ways to me. The importance of being 'right' so that one may validate their own existence. I'm certainly not above all that as I'm just as human as all of us, and have the same hopeless need to make meaning out of everything. But I have found that the more I can just be in the moment and outside my head, the more I tend to enjoy life. So I do strive to maintain some perspective with the knowledge that I am indeed prone to going back to my head over and over, and that it is more fun when I'm not there at all.

Marco again I hear where you are coming from.

As part of the explination we need to look at the original post which was at least partly based in the media reaction to Tori or the lack of it that's perhaps why we've headed down this way.
I started off trying to put that question in context.

I think it's important to state I do not consider my opinion any more important than anyone else's,I truly believe that at a fundamental level.
Arguably it gets more complicated depending on how much you value how informed the person is making that argument.
This is one of the reasons I mostly stick to music threads on this forum because although I have opinions on cables,burn in etc. based on my experience it's clear to me it's less informed than more experienced audiophiles,of course I'll chip in if I think I've got a valid point to make.

Needless to say there is points made from time to time on various threads that seem uninformed,I think I got one on my records of the year,the person who was clearly intelligent really felt no need to qualify his statements (basically my musical taste was naff),in the same thread another 'goner whom I respect a lot said there was little he felt compelled to hear or like in my list.
What can you do?
Such is life,I can't get too precious about it all,all that matters to me is that I shared something positive inevitably you won't please everyone.
Audiogon is about opinion inevitably that will happen on all different kinds of levels.

As regards your stance on crticism intself I admire that stance,I take the same viewpoint that an opinion is only an opinon BUT I am totally at the other end of the spectrum regarding criticism,I read a lot of it,an awful lot of it (3 or 4 music mags every month and a constant stream of music related books etc.).
However I read it for knowledge and for information and I try hard to take it all with a large pinch of salt but I enjoy reading about music so I do it,I doubt it influences anything much that I listen other than letting me know it existed and that I read an opinion on it.
I also realise I'm quite unique,it's what floats my boat but it's clearly not for everyone.
And I really do not try to be snobbish about it,we are quite similar I think in that sense,music is only music.
Entertainment to some,art to others.

As regards your value system again I admire that stance but I cannot listen to music without evaluating it and of course that is personal.
Ultimately I decide in some sense the artists I take very seriously,the ones I enjoy in a light hearted sense,the music that seems 2nd rate,the overrated,the underrated etc.etc.
It doesn't matter much outside my own world nor do I expect it to.

To get away from this rambling I made this kind of assessment (rightly or wrongly)about Tori Amos a long time ago and since I'm opinonated and passionate about music I will voice that opinion because that is what these forums are about,debate.

I've maybe been a little unkind about Tori Amos with some of my descriptions but that's how I regard her,a talented quirky individual but that doesn't make it a fact.
Nor does the fact I spend too much time thinking and reading about music.
I apologise if I can you that impression that I consider myself superior.
However I will argue till the cows come home based on what I believe in.

Both of you Jax2, and Ben campbell make your points well. However Jax2, I do agree with Ben campbell that this site is about debate. Passionate fire-breathing debate when it comes to opinions on music/artists. To be a music lover you have to feel passionate about it.

Where I would, i think, agree with Jax2 to some extent is that I would criticize a piece of music or artist but not the person who posted the opinion I disagree with. I'm not saying that Ben campbell did that, he didn't.

I totally agree with frank discussion on the merits of individual artists/groups. In fact I like a good discussion/argument with other passionate people on music or artists. A personal philosophy is attack ideas not the person who delivers the message. This would be a boring site indeed if people didn't give honest opinions and criticism.

How is one to learn who is good or bad if people don't frankly discuss the merits. It is equally as valid to criticize as it is to praise. One cannot exist without the other or it would be pointless. Every artist or piece of music is not good.

If a person is honest, they would say their taste in music is good (the best?). That doesn't mean it is, but honestly when I think I'm right, I think I'm right. If you disagree your wrong. That doesn't mean I think I'm better than anyone. It's just my opinion. I am open to change or exploration if a good argument is presented. I have changed my views on artists before. Usually I've either grown up into liking their style of music, or they made something better. Sometimes someone even convinces me to give them a try.

Great conversation folks....thank you! Man, what a different approach we have Ben. The respect is mutual, yet I'm still struggling a bit to understand your perspective. I actively avoid reading criticism, especially about the arts. No, I'd put little to no weight at all on a person's knowledge and experience where judging music is concerned for the very reasons that have come up here. I don't consider myself necessarily well-read and up-to-date and so thoroughly educated regarding music as yourself and perhaps many others here, and that is a most deliberate choice on my part. Yet in no way would I let that stop me from sharing my opinion on a subject I am passionate about. The only way that knowledge and experience may pay a part in my respect for another's opinions about music, is if I knew the person had a history of appreciating similar things as I appreciate. Beyond that one's knowledge of musical history as well as having one's finger on the pulse of current trends and artists means absolutely nothing to me for the very reasons that I've already cited: None of that head-trip has anything whatsover to do MY appreciation of the experience of music.

The high-end hardware criticism is another matter altogether. There I would lend some credance to experience and knowledge as there is a far greater amount of objectivity mixed in with the tremendous subjectivity. In the judgement of the arts it is just the reverse, IMO. High-end gear is subject to so many variables in creating the synergy that makes the magic that, even if you had the best advice, the gear you purchase may not necessarily sound good to you in your room, to your ears, with your music. I would still think observations like "tubes blow SS away" to be patently ignorant and a sign of a lack of experience, lack of perspective, or both (and I'm not speaking about the literal content of that statement at all, but the essense of the statement, or perhaps the intent). However, as much as I read similar statements over and over here on A'gon, they do not bother me as much as the objections I've brought up here for some reason. I guess it just seems much more ridiculous to me to think one can objectively categorize music into "better and worse".

Some interesting observations Wildoats. I would however suggest that you determine for yourself what you prefer and need no one else to tell you - in fact, no one else can tell you what YOU think is good or bad. It is not something to be learned because it is entirely relative to the individual. On a far more simplistic and perhaps more objective scale, as I've pointed out: Someone with vast experience here on the Gon' who's been in this hobby many decades, reads all there is to read, has degrees in acoustical engineering, etc. can tell you what they know, and pass on what may seem like wisdom of great value, given their experience. They can tell you with certain assurity that Au24 speaker cables are the answer you've been looking for given your system and your preferences. You go out, find a pair at a good price, and set out to compare them to say the $90 pair you got from member "DIY555". To your ears, in your system, in your room, with your music, those DIY cables somehow sound better than the $800 pair of Au24's. Yet you were advised by an seasoned expert......what gives. It happens......all the time!! Now that's an example in an area with a certain degree of objectivity. Music has no such leaning.....appreciation of music is entirely subjective. There are no figures or graphs to be plotted, no statistics or numbers to look at, unless you care about popularity contests which I don't give a rat's ass about. Why the f%^$ would I need anyone advising me what is good and bad in something so subjective as music. Again, the only credance I may give such advice would be if I knew my tastes ran similar to the one advising me, but I'd still not lend any respect to statements like "Kate blows Tori away".

I'm going to have to think about this one some more as it is getting late.

Regards,

Marco

I can be satisfied with my gear because it sounds good to me. I can also audition other equipment if the need or desire arises. Mostly because I can listen to a large amount of very good equipment in a not too long of a time.

However, I need help with music. Not because I don't know what I like, but because there is so much out there. If I here mostly bad things about a piece, I'll go listen to the ones I hear mostly good things about. There just isn't time to listen to everything and there has to be a way to separate the wheat from the chaff. Other people's critiques help me do that. That is the main value I get from reading other peoples opinions. Without that I'm alone in the vast wilderness without a compass.