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Drums reproduction

Considering audio's desire to reproduce live performance as accurately as possible, why do you think the drums are recorded so far back in the mix? I've attended many jazz and fusion performances and many drummers are at the sonic forefront of their bands. Tony Williams, Billy Cobham, et all sonicly fill the room like nobody's business. Even less powerful drummers are on equal footing with their bandmates. Why does it not sound so on recordings? The drums are politely included for percussive colorations but in no way dominate like live. Example: Elvin Jones live powerfully fills every bit of the room to the point that it can border on exhaustion. But on recordings he can sound like a pipsqueak in comparison, just another polite member of the band. Please don't confuse the performance of the musician. It seems like it is the producers choice. Why?
richardmr
fujindemon
134 posts
 
even after getting my head thumped several times at shows i still know it's

Megadeth
lokie's avatar
lokie
528 posts
 
A CD on the top of everyones best of list is Nevermind by Nirvana. The drummer, Dave Grohl (sp?)(current lead singer, guitarist and writer for the Foo Fighters) is most definitely in the forefront of the sound of this already classic rock recording. I would say that the drums definely "dominate." Put on track 4 and buckle your seatbelt.
Speaking of dominating drummers... I saw great drummer this weekend: Stanton Moore with the band "Galactic" (from New Orleans... very jammy and funky) Wow, this guy can really get after it.
kburke1227
12 posts
 
My comment may not be completely relevant to the topic at hand but is anyone else as impressed as I am at the reproduction of Jeff Hamilton's drum solo at the end of track 7 "Devil May Care" on the live recording of Diana Krall's cd and dvd "Live in Paris"? Just my two cents worth.
mhu
102 posts
 
Just a question for the more experienced music fans, but does this have something to do with the basic structure of the music? In jazz, drums are part of the rhythm section; back-ground support for soloists to build their repertoires on. If recordings are "as-is", I would think that the drums would overpower some of the less dynamic instruments, and drown out some of the more neuances found in the soloists' works.
richardmr OP
90 posts
 
Mhu - What you suggest can be true, sometimes. But, as an example, of which there are countless, I played a Red Rodney/Ira Sullivan lp from the 80's called Sprint. The drums are so quiet it seems like their confined inside a bubble. It's so unlike live.
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