CD pcm to ................SACD dsd "Wish List"


Which existing PCM recordings would you like to see converted to DSD? I'll start with anything from : "ANTONIO CARLOS JOBIM", "THE BEATLES"
jjwa
To expand on what has already been said and then some.......all Pink Floyd, Quadrophenia and Who's Next (I hear that these are forthcoming) ELP, John Hiatt, Eagles, Led Zep How the West was Won(DVD-Audio only do far) ZZ Top Tres Hombres through El Loco, Mahavishu, more Allmans, Yes and any and all AC/DC discs but particularly Live, Back in Black, Ballbreaker and Highway to Hell. I would also like them to reissue the SACD of Aerosmith Rocks.
Read on the web that Genesis Lamb Lies Down on Broadway is being released on SACD in April. With Peter Gabriel's obvious love of the format, I am hopinh we see many more releases but particularly Selling England by the Pound and a few from the Collins era includinf Wind and the Wuthering (imagine Squonk in hi rez) Seconds Out and Duke(IMHO the last Genesis CD worthy of the name, although Abacab was ok...just that it was a Phil Collins record and not true Genesis)
Philosophical point......The better our systems get and the more quality remasters that are issued, the more I realize that the true golden age of two channel recording was 1953 to around 1980. We all know about the RCA, Mercury, et al classical recordings, but as I listen to more and more "classic" rock I listen to, the more I realize that guys like George Martin, Alan Parsons, Tom Dowd, Roy Thomas Baker, Glyn Johns, Tom Scholz and others pretty much tried every technique of playing with the sonic picture imaginable. It is fascinating to hear this materiel the way it was orinally recorded with out limiting and compression. Bob Ludwig said recemtly that dynamic compression is the heart fo rock recordings, but to me, it is an entirely new experience to hear Queen with the the 4 or 5 overlayed guitars spread out across the entire outside the speakers rather than compressed in the middle a la Sex Pistols. I takes some getting used to because there can be a percieved loss of punch to the guitar, but definately better. Can't wait to hear the SACD of Boston. I think that surround mixes of these Albums are superfelous. Comments?