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An observation about "Modern" classical music.

As I sat in my car, waiting for my wife as usual, I listened to a local classical music station which happened to be playing some "modern" music. I don't like it, being an old fart who likes Mozart and his ilk. But, as I had nothing else to do, I tried to appreciate what I heard. No luck, but I did notice something I have experienced before but never thought about. At the end, there was a dead silence of 3 to 5 seconds before audience applause. This never happens with, for example, Mozart where the final notes never get a chance to decay before the applause and Bravos. Obviously (IMHO) the music was so hard to "follow" that the audience were not sure it was over until nothing happened for a while.

I know that some guys like this music, but haven't you noticed this dead time? How do you explain it?
eldartford
robm321
932 posts
 
LOL Jsujo.

I guess it's worth venturing out of what is familiar. Classical music always takes an effort to listen to in order to appreciate. Active listening and understanding just makes the emotions stronger. So, because of this thread I'm going to make an effort. I feel with all of the posts, I realize that my approach towards the new stuff is what caused me to be critical. When I heard Beethoven's 9th Symphony for the first time, I remember thinking why if everyone so thrilled about this. It wasn't until several years later when I better understood what was going on that I realized what was great. And it has it's flaws no doubt.

Thanks All.

Rob

Rob
jsujo
348 posts
 
Good deal Rob, and I will try to like Annie Hall...;-)
marakanetz's avatar
marakanetz
5,473 posts
 
A basics of a music grammar for all music lovers could make a large improvement on understanding and appreciating classical music and modern classical music as well.
robm321
932 posts
 
I like my odds better Jsujo LOL
eldartford OP
4,262 posts
 
Lousyreeds1...Thanks. I will look for that book.

Our local newspaper, The Berkshire Eagle, has a big story today about how James Levine, the new conductor of the Boston Symphony is planning to redirect the BSO, and the Tanglewood music festival program so as to put emphasis on "new music". I predict that this will be a financial mistake. Actual experience with years of Tanglewood attendance indicates that Mozart concerts are invariably very well attended, while "modern music" plays to empty seats. (James Taylor just was sold out completely for two consecutive nights - no space even on the grass - but that is another whole world).

When I first moved to this area, about 40 years ago, the BSO played a short series of "Bach/Mozart" concerts, using only about half the orchestra. These concerts were really beloved by the local people, and it was a sad day when the program was eliminated.
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