An observation about "Modern" classical music.


As I sat in my car, waiting for my wife as usual, I listened to a local classical music station which happened to be playing some "modern" music. I don't like it, being an old fart who likes Mozart and his ilk. But, as I had nothing else to do, I tried to appreciate what I heard. No luck, but I did notice something I have experienced before but never thought about. At the end, there was a dead silence of 3 to 5 seconds before audience applause. This never happens with, for example, Mozart where the final notes never get a chance to decay before the applause and Bravos. Obviously (IMHO) the music was so hard to "follow" that the audience were not sure it was over until nothing happened for a while.

I know that some guys like this music, but haven't you noticed this dead time? How do you explain it?
eldartford
"This thread is supposed to be about thoughtful analysis." Exactly. This is why I've suggested that you listen to and read about a broader spectrum of modern music before continuing to throw out simplistic generalizations that belie the complexity and nuance of the subject.
Sorry, but not EVERY DETAIL carries such weighty "meaning," nor should each one be imbued with same ... and so very often there is absolutely no merit in pondering the meaning of silence. However, feel free to guess away!!!
Lousyreeds1...If you will check my original posting you will see that it was prompted by a conscious effort to listen and appreciate what I have termed "modern" music. As always, (for more than 50 years) this effort led to naught, and I began to think about why this is true.

Your theory seems to be that I am too ignorant to enter your elite world. Sorry about that.
On the contrary, I'm doing everything I can to suggest ways to improve your perception of "this elite world". I wish you would listen to the pieces I've recommended. I think their appeal is universal. If you're not willing to, that's your loss.
One fench piano teacher said:

"Music should not come fgom fingers it should come fgom ze hart"
(This phrase is from the movie "The Man Who Wasn't There")

So what kind of structure we're talking about?