Ken Burns' JAZZ starts Monday on PBS!


A reminder that Ken Burns' 10 part series begins Monday in most all of the USA. Burns' past documentaries have been "The Civil War" and "Baseball." They were very, very good. Enjoy! Charlie
danvetc
I can't wait for Jazz despite the "slim" coverage that Burns may give the subject. Be forwarned though, there will be a huge interest in Jazz music in general after the "civilians" see this documentary. Kind of like how they pretended to like the Dead after Garcia's sad and untimely death.
My local Sunday paper(Philadelphia Inquirer) really hyped the series. There are jazz articles in an entertainment section(including one on the series itself), and the included Iquirer magazine. And the series is highlighted in the included TV weekly. Looking at the lineup, the type of jazz I like(late 50s - late 60s) will not be shown this week. I will have to wait another week. But, I will still watch as much as I possibly can...
I'm really looking forward to this, but don't know when I'll have time to watch that much TV, even on time-delay. I'm sure there'll be much fascinating material, even though Sugarbrie's reservations sound realistic. Along these lines, note that all of jazz from 1961 to the present is covered in a single episode, the last! And, the series concludes with Wynton Marsalis and his Lincoln Center Jazz Orchestra. A little self-congratulatory, perhaps?--considering that Warsalis was Burns' senior advisor on this project. So, perhaps Marsalis' conservative tastes and (may I say without being too disrespectful) smugness is reflected throughout the whole series. But, as I say, I look forward to a lot of fascinating material. However, it could be summer before I am able to view all the tapes.
I sat in the audience at Wolf Trap near Washington DC for the Marsalis/Lincoln Center group last summer. Great Concert??
Well if Marsalis is going to be the main commentator you can bet there will be more than a fair share devoted to Satchmo, his hero. Time Magazine had an article on the series and noted that several very important jazz figures were given scant coverage and Burns really didn't have too great an interest in jazz prior to conception of this project.