Might I also offer Robert Greenburg’s “Understanding Great Music” by TheTeachingCompany.com. You won’t be disappointed. I concur with Kurt. Anyone who dismisses Stravinsky as anything less than one of the great composers if not the greatest composer of the 20th century, particularly a music teacher, is either jealous or isn’t acknowledging his own biases and tastes. Stravinsky along with Debussy changed the course of music from the Romantic era to the Modern era. As a teacher I would think that the important fact is to encourage the student’s taste rather than influence or attempting to change it. But then again, we don’t live in a perfect world and generally our OWN individual preferences prevail. A great example of the popular sport of a critic trashing the work of a composer would be of Rachmaninov’s 1st Symphony, written just out of the Moscow Conservatory. It generally wasn’t well received and one critic wrote of it “If there was a convervatory in Hell, Mr. Rachmaninoff would take first prize.” Taste in music is as in taste in the equipment that reproduces, it is personal. Especially in music, the most abstract of the arts. I personally believe individual tastes should be nurtured and encouraged rather than dismissed. “Why do you like Stravinsky”? CW first, last and most importantly trust what you like, listen, learn and the rest will fall into place You should make it very clear what you like and let your teacher know why. This is also part of the learning. Trust your teacher completely only in the technique of learning and playing the music. Learn ABOUT the music, its origins, development and the composers from as many different sources as you can.
The Back Street Boys of Classical??
I have recently started piano lessons and theory with a wonderful teacher who is remarkably intelligent and has decades of experience playing and composing. When asking me about my taste in music, I think I mentioned Stravinsky, amoung others, from a basket of jazz, pop and classical music that I have enjoyed. I guess I need to be humbled as a student as I was a little embarrassed when he used the expression "salon composer", which I took to mean popular with the bourgeois but not taken seriously by musicians. An additional faux pas of mine was thinking that Vince Guaraldi should be found in the "jazz" section of Tower Records. Could someone educate my a bit more about classical (In the Tower Records, not historical sense of the word) composers? Who would be considered the N Synch of their time? And which composers have really endured as as worthy and challenging for people who really understand music? I realize this is somewhat subjective but hopefully will inspire lively debate.
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- 8 posts total
- 8 posts total