"The Audio Critic" B.S. or what?

Just to expand on the above (and excuse the length of the post), I believe measurements are very useful, but not sufficient in themselves to evaluate equipment. Ideally you would have blind testing (not double blind testing) by someone with the right musical/audio training, and once that person writes his/her review you would use measurements to try to explain what that person was hearing in technical terms. The science of audio measurements is very far from the point in which measurements are sufficient to understand the performance of a piece of gear. That is, for instance, the mistake that other magazines like Stero Review have fallen into.

I'm glad that Joe is the sole possessor of the knowledge, of how to function in this hobby. That way, he can tell everyone else how to "do it right". You got banned for more than that, Joe...and that is what you really know how to do: get BANNED from discussion websites. I'd rather not learn how to do that...and I can already hear better than you anyway...the proof's in the pudding...................You even contradict yourself about DBX testing. First you state that "since blind testing in most cases shows that differences between equipment are a lot subtler than most manufacturers want to you to know", and then retract it by: "However, double blind testing in my opinion is objectionable because it's effect is to 'dazzle' the mind of the reviewer, making it difficult to detect differences". IF YOU THINKI IT'S "OBJECTIONABLE", WHY DO INSIST THAT THOSE REVIEWERS WHO ALSO OBJECT TO IT "MIGHT BE" CHARLATANS? Unless of course, you're a charlatan yourself...

Eldragon: Subscriptions ($24/4 issues) can be ordered from PO Box 978, Quakertown, PA 18951.

A friend of mine is an electrical engineer who also happens to know a bit of hi-fi. His wife once told him that "better" cables and interconnects did not sound any better when he got those expensive wires. His wife is not a dieshard; yet, I know she has good opinions about good sounds. So, he took all the cables to his work and did some measuring and experiments. I am not a true audiophile and am not interested in tech talks, so I do not remember all the details in precise terms. Nevertheless, the gist of his findings was that there was not a big difference between expensive cables and decent cables -- I won't name the brands. Then, he did a rudimentary blind test himself with a little help of his wife. Without the benefit of preconception, he failed to differentiate cables and interconnects, of which the price differential was huge. So, I borrowed the high end wires and experimented with them. Allowing myself to get aquainted with the wires for about several days, I did a rudimentary blind test with some help of my wife -- she was unhappy about it. I got 50% right out of 6 tries (3 with the better wires, another 3 with the mundane counterparts at reasonable volume level). Just fulfilling the law of average. My friend did even worse than I did defying the statistical odds -- less than 50%. Our equipments were reasonably good albeit not super. The friend of mine was trying to get deeper into the subject by making inquiries as to whether the signal difference he attained in his lab was sufficient enought for human brain to detect. He must have been told something about it, but I have not heard him about it. Nor am I interested in delving into the matter any more deeply. It is good if there truly is a difference we can appreciate between mundane and high end wires and shields. But, I obviously failed to appreciate it. So, the issue is simple for me now: save the money for the wife and the kids, or CD's and live entertainments. Unless you are rich enough to sniff at the amount. By the way, the interconnects and speaker cables that I am using for music listening did not cost me more than $200 (at max) altogether.

I've heard the difference between ALL the different cables I've tried over the past few years, and I don't care if there are those out there who don't hear a difference. Please do not profess to pooh pooh on me, and I won't do the same on you. MY OWN BROTHER AND SISTER IN LAW BOTH, ARE ELECTRICAL ENGINEERS. She has had a problem hearing in one ear since childhood, so she doesn't care much about my system in any of its incarnations (yet). And when listening to my system, he (my brother) has had ZERO trouble ever hearing the difference between cables, CD's and CD-R copies...and the one that troubled him most: The fact that an old copy of a rock album ON VINYL...killed the CD so badly. He knows I'm not nuts anymore...And I don't just spend thousands of dollars "on wire". I've gotten most of it used (like the rest of my system). I don't call getting a $3100 cable, for $795, "being bad with money". And it has beaten all the others I've thrown at it, so there!