Actually Leafs, it is YOU who is self righteous, and you are commenting about things that you do not know about, nor have direct experience with....and THAT'S the real "joke" here, and a stupid low brow one at that. Please do not presume to comment on, what you have no experience with. Also, it's a fact that expensive cables NEVER hold their value on the used market as well as less costly ones do, much less than do electronics of the more popular or widely known varieties. HOWEVER, that has ABSOLUTELY ZERO TO DO WITH THEIR SOUND QUALITY, AND EVERYTHING TO DO WITH RETAIL DEALER MARKUP ON STATE OF THE ART CABLES, WHEN THEY ARE NEW. Next time, keep it on what you have experience with, and you'll not lose what little credibility that you started with.
"The Audio Critic" B.S. or what?
Has anyone ever heard of this magazine? In a nutshell, their premise is that audiophiles are ridiculous. They claim that all high-end equipment is marketed to audio magazines and their foolish readers. One particular area they sounded off about was cable and interconnect theory. They claim that spending hundreds and even thousands of dollars for cables is a joke and is a total waste of money. They claim that companies like Kimber are selling us a bunch of "snake oil." I just breezed through a copy and now it's got me wondering if we audiophiles are just masturbating each other with our concepts and discussion of "high-end" equipment and cables. Please tell me this is a bunch of sh*t. I'd like to think that we're getting at least a bit of "high-end" for our hard-earned $$$$
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- 83 posts total
- 83 posts total