There are several factors involved here. As Swampwalker mentions, tone controls affect a wide range of frequencies. Not only that, they cause phase shifts, etc... If someone is willing deal with that, i have no problems with it. That is why most of us mention "personal preference" as much as we do.
In order to get around this or minimize the influence of broadband effects that tone controls produce, some folks went to parametric EQ's. This is a more precise method of adjusting tonal balance with more control over the exact frequency range being affected. This is done by varying the "Q" of the circuit. Others use graphic equalizers, which are basically more sophisticated tone controls and suffer similar problems. While these are much easier to operate as compared to parametric's, they are not as efficient or linear in their overall performance.
There are combinations of the two designs that are sometimes called "Para-Graphic" EQ's. These have preselected center frequencies ( like a Graphic ) but offer the end user the ability to somewhat shift each of those frequencies up or down for more precise tuning of a narrow band ( like Parametric ). Some might consider this either the best or worst of both worlds, depending on ones' point of view.
As to using cables as "tone controls", this is QUITE controversial. Since many believe that cables do not affect the sound, it is considered by some to be foolish. They base their beliefs on the fact that most well designed cables do not cause major phase shifts or frequency response abberations under test conditions. Since that is the case, many consider this to be the "lesser of two evils" i.e. wires that "tonally balance" the system and measure "flat" with no phase shifts or tone controls that do introduce phase shifts and do not measure as well. Once again, we are back to personal preference and individual beliefs.
The alternative to this is equilization done in the digital domain. While i have never used one of these devices, they are said to work wonderfully. I would assume that they would work best when using a digital source. Otherwise, the analogue source would have to go through an ADC ( Analogue to Digital Converter ), have the equilization applied, and then go through a DAC ( Digital to Analogue Converter ) before being fed to a standard analogue amplification device. Those using all digital systems from source to amplifiers would not have to worry about such things though.
I would think that the REAL bottom line to your question is something along the lines of:
"What is wrong with being a music lover instead of an audiophile ?"
According to commonly accepted definitions, "audiophiles" crave the utmost in accurate reproduction i.e. "details" of whatever is on the disc, whether it be sonically pleasing or not. Music lovers are more concerned with enjoying the performance / recordings and trying to re-create a "you are there" type of listening experience. Sometimes the two types of reproduction and listening environments are / are not to be found working hand in hand.
I think that most of the people frequenting this board are a combination of the two genres of listeners, but not all. There are "sticklers" in each camp i.e. the audiophiles say that if it doesn't measure perfectly, it is not an "accurate" reproduction of what the recording contains. Music lovers will say that some components / sysems that measure well do not sound like real life instruments. My personal opinion is that one should build / listen to a system that makes them the happiest. Whatever the means that they use to achieve that goal are okay with me. Sean
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In order to get around this or minimize the influence of broadband effects that tone controls produce, some folks went to parametric EQ's. This is a more precise method of adjusting tonal balance with more control over the exact frequency range being affected. This is done by varying the "Q" of the circuit. Others use graphic equalizers, which are basically more sophisticated tone controls and suffer similar problems. While these are much easier to operate as compared to parametric's, they are not as efficient or linear in their overall performance.
There are combinations of the two designs that are sometimes called "Para-Graphic" EQ's. These have preselected center frequencies ( like a Graphic ) but offer the end user the ability to somewhat shift each of those frequencies up or down for more precise tuning of a narrow band ( like Parametric ). Some might consider this either the best or worst of both worlds, depending on ones' point of view.
As to using cables as "tone controls", this is QUITE controversial. Since many believe that cables do not affect the sound, it is considered by some to be foolish. They base their beliefs on the fact that most well designed cables do not cause major phase shifts or frequency response abberations under test conditions. Since that is the case, many consider this to be the "lesser of two evils" i.e. wires that "tonally balance" the system and measure "flat" with no phase shifts or tone controls that do introduce phase shifts and do not measure as well. Once again, we are back to personal preference and individual beliefs.
The alternative to this is equilization done in the digital domain. While i have never used one of these devices, they are said to work wonderfully. I would assume that they would work best when using a digital source. Otherwise, the analogue source would have to go through an ADC ( Analogue to Digital Converter ), have the equilization applied, and then go through a DAC ( Digital to Analogue Converter ) before being fed to a standard analogue amplification device. Those using all digital systems from source to amplifiers would not have to worry about such things though.
I would think that the REAL bottom line to your question is something along the lines of:
"What is wrong with being a music lover instead of an audiophile ?"
According to commonly accepted definitions, "audiophiles" crave the utmost in accurate reproduction i.e. "details" of whatever is on the disc, whether it be sonically pleasing or not. Music lovers are more concerned with enjoying the performance / recordings and trying to re-create a "you are there" type of listening experience. Sometimes the two types of reproduction and listening environments are / are not to be found working hand in hand.
I think that most of the people frequenting this board are a combination of the two genres of listeners, but not all. There are "sticklers" in each camp i.e. the audiophiles say that if it doesn't measure perfectly, it is not an "accurate" reproduction of what the recording contains. Music lovers will say that some components / sysems that measure well do not sound like real life instruments. My personal opinion is that one should build / listen to a system that makes them the happiest. Whatever the means that they use to achieve that goal are okay with me. Sean
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