40hz ratings/speaker response


Hi, as a neophyte to the technical end of this wonderful addiction, I am curious. If a speaker's frequency response capability is rated to say 40hz or above, what happens to that sound that was recorder that falls below that range? Say for instance the lower octaves on an accoustic piano, or a cello, electric bass etc? And again, what happens to a speaker, with the same rating, if the volume is "pushed" to hear and feel music that has a lower range?
Curious
joeb
In a DARPA project during the 70s and 80s, a guy by the name of Patrick Flanagan was researching alternative communications techniques. He discovered and later patented a device called the "Flanagan Neurophone". The D.O.D. kept him from marketing it for 20 years. It is a device worn around the neck, kind of like a fat necklace. It receives sound and transduces it into the bone structure of the clavicles. It can make totally deaf people hear. Apparently, the bone structure can be vibrated in such a way as to simulate the activity of the ear, and is interpreted by the brain as sound. This leads me to agree with others that the "feel" of music in the body is important to the experience as well as hearing through the ears. I once tried headphones for primary listening, and found that the lack of "feel" was unsatisfactory for me. I gave up the headphones.
Twl, as the father of a deaf child I can't help wonder why the DOD would need to conspire to prevent deaf people from hearing? National Security? At any rate, a lot of deafness is neurological damage, not bone structure so your theory just doesn't fly. "Feelings" are often a 'Perceptual", and totally subjective state, however they are a "physical" reality, I am tempted to discuss the ancient "mind/body" dichotomy theories, but they probably don't need rehashing here.. There are theories that (more appropriately?) speak to the influences of "feelings" or better put, how we develop a capacity for a range of emotions. Suffice it to say that, one's life experiences have a lot to do with the range and depth of our emotions; hence different musical tastes. I am tempted to dive into a discussion of the reasons a person is attracted to "thrash" or say, ted (guts and glory, I AM America) Nugent, as opposed to say, Crosby Stills Nash and Young. but....
Joeb
Joeb, it is not my theory. Just reporting the facts. From what I've heard about the Flanagan Neurophone, it doesn't rely on the ear at all, or the ear's neurology, but instead creates an entirely different path for the brain to interpret the sound. You may be able to find something about this on the web. The product is no longer squelched by the D.O.D. The man's name is Dr. Patrick Flanagan. I don't know if he is still alive or not. I heard the information on a radio show with Dr. Nick Begich, who was a friend and associate of Dr. Flanagan. Perhaps Dr. Begich has some info on how this device operates and how to get one.
Ursula66 wrote that her WATT/Puppy combo doesn't seem to have anything below 40 Hz. This is 100% true. Mr. Wilson's speakers have many things to commend them, bass isn't one of them. They do NOT have much output below 40 Hz, if they get there at all.

Sorry for bad news...

And, yes there is lots of information below 40 Hz.

_-_-bear
What happens when you put 20 Hz. into a speaker that rolls off at 40 Hz. is simply this: the cone moves a lot, there is some second, 4th, etc. harmonic reproduced, your amp works hard and may have reduced headroom if this coincides with a peak.

MOST speaker systems do NOT have significant output below 40 Hz. Period. In order to produce bass below 40 Hz. you need a few things that most speakers can not and do not have. That is in specific enough surface area & excursion to move the required air, which also requires a LARGE cabinet size.

It is true that you *can* make a small speaker that will have output that low, but it will NOT be able to have normal levels of sensitivity or output, or else it will have output below 40 Hz. that is WAY down from the midrange level. So, in practice, most speaker systems are not able to do much below 40 Hz. In practice, sorry to report, most have difficulty making it all the way to 40 Hz. 20 Hz is usually out of the question.

There are some exceptions in this regard, but they are rather few and far between. Many that advertise output in this region do not produce much usable bass unless they are set up in a particular manner or room postion/volume.

With the advent of the latest crop of high power handling/long linear excursion woofers we can expect to see much better bass response and lower F3 points in commercial speakers in the near future... but the price for this is the need for POWER on the amp end (and in the case of sealed cabinets, EQ AND POWER).

To a great extent, this reality is the basis for the existance of a market for what we call "subwoofers."

_-_-bear