How do you get the "real" feel of music?

Brucegel and Detlof, sorry, but I can't share your swell opinion of Sasha's post. Where is the iconoclasm in noting that the high end hasn't taken any quantum leaps closer to reality recently, or that everything - plus synergy - matters in a system, or that dynamic fidelity is a big issue? That's stock stuff, true as it may be.

What I notice more are his hard-to-defend comment implying that only seven or so brands of wire (which, interestly, bear little relation to one another in their product designs) can truly be called "good", and the claim that his customers "worship" him (what's so "beautiful" about that sentiment?).

More to the point though, Sasha's cliched exhortations about "magic", his declaration that "all high end [equipment] is great", and his claim that he can make a $3K system sound very nearly the equal of a $50K system (apparently through a mixture of mass-market electronics and speakers with high-$$ wires bought used, to judge from the rest of his post), make me wonder what exactly he means when he leads in by offering that the thread-head is "getting the run-around from these audio amatuers , and I'd like to help".

Gee, how gracious of him...Sasha, sorry to have so thoughtlessly provoked a selfless professional such as yourself to need to emerge from the woodwork in order to set us straight. Doubtlessly, the original poster will now know exactly what they need to do after reading your uniquely valuable contribution: Call you.

Zaike, I respect your opinion greatly and I grant you, that Sasha's post can be read and interpreted exactly as you indeed did, but I preferred to concentrate on the points he stressed to listen for, which possibly, as you stated, is "stock stuff", which however I find rarely mentioned here with the emphasis I feel they should have. I rather doubt, that many people realise, that their systems, good as they may be, simply cannot faithfully reproduce the dynamics within the entire musical spectrum of a given piece of music and I agree with Sasha, that only if you get that more or less right, apart from the other things he mentions, your rig will begin to sound musical in the sense of live music played in a real space. Not identical to, of course, but coming closer......
I did also wonder about Sasha's choice of wires, although I would agree with him, that cables are important to get your system to sing. It is probably also "stock stuff" that there are some people around, steeped in the experience of live music, who are able to set up a 5k system and make it sound better that stereos 20 times its cost. I've heard that happen more than once and I don't doubt, that you would agree with me in that point as well. So I wonder, what really irked you and tickled your sarcasm. Sasha's narcissism? His pride in his customer's "love"? Come on, Zaike, these pages are full of that sort of thing in one way or another. His point, that apart from speaker design, there has not been a real breakthrough in electronic design? Whatever, although I do see your argument, I still wonder, what was it that got your back up and I still contend, that Sasha's points are well made and although stock stuff indeed, they should be mentioned again and again, because they are so important. What I still find beautiful in his post is his obvious love for music, so I forgave him that little bit of selflove, because sometimes I'm tempted to think, that music lovers are a rare breed amongst audiophiles.....
Cheers,

Actually Detlof, I had to get halfway through your congratulatory post about Sasha's commentary before I realized it wasn't going to end up being sarcastic! :-) (And yes, I'll grant that anybody can screw up a $50K system as easily as a $3K system - maybe more.)

Anyway, no secrets here: I thought many of the other posts above were more perceptive - *and* more directly addressing of the question - than Sasha's. There was no need to come in with that deus-ex-machina attitude, and then contribute nothing beyond some worn-out warhorses and a passel of unsupportable claims. For the put-down, at least give us something more perceptive than "WIRES"!

Even so, there was one thing he said which I will fully get behind - "Stay away from direct advice, and use your common sense" (to which I'll add, 'And your ears'). He could have been addressing this to Rosypup or a few others, and I couldn't agree more. In one form or another, this is basically what I've been saying around here for two years.

[And just for the record - once more - I've never equated audiophilism with being a truer music-lover. Some are, a heck of a lot aren't. Sasha may be a better audiophile than me, but who's to say when it comes to caring about music...for any of us?]

Thanks Zaikesman for again stating your points. I now understand better and I do agree with your statement about S's deus ex machina attitude. That was indeed uncalled for. For the rest I still beg to differ somewhat, for the simple reason that those "wornout warhorses", which indeed they are for the cognoscenti, still belong to the category of unknown species to many students of our hobby. By the way, what do you think makes for a "good" audiophile and where would you put the emphasis? Technical savvy? Golden ears? An inventive, experimentative attitude?
"Melomanie"? An open mind, ready to learn? Probably all of it and then some....Cheers,

Well, I was mostly referring to experience...