"However, I have found that the effect is all up front."
This could be how it was recorded. High-fidelity (faithful to the source) is one thing, special effects are another. You're basically doing surround sound with music, some discs have far more material on them for this endeavor than others.
"Which processor would be best for creating spacial ambiance through only the rear speakers using today's technology?"
Depends on the recording. There are Dolby Surround Music only recordings. However, you'll probably get the most mileage with one of the generic matrixing type devices to turn two into four--I can't remember who did what off hand. It could add some neat effects, but I'm not sure you're necessarily going to step into a concert hall with it. Ambisonics requires 4 or 5 microphones to do a proper recording w/ ss music.
This could be how it was recorded. High-fidelity (faithful to the source) is one thing, special effects are another. You're basically doing surround sound with music, some discs have far more material on them for this endeavor than others.
"Which processor would be best for creating spacial ambiance through only the rear speakers using today's technology?"
Depends on the recording. There are Dolby Surround Music only recordings. However, you'll probably get the most mileage with one of the generic matrixing type devices to turn two into four--I can't remember who did what off hand. It could add some neat effects, but I'm not sure you're necessarily going to step into a concert hall with it. Ambisonics requires 4 or 5 microphones to do a proper recording w/ ss music.