Hi Sean,
The interface to a speaker really depends on the amp, not the speaker. The reason is that the speaker floats, and if you change the connections to it, all that changes is the phase. OTOH, some amps drive a speaker SE and others are balanced. Ours drive it balanced of course, either speaker terminal is floating (not connected to) ground. Some speakers have balanced topologies in the crossovers and other don't.
With regards to the question about the preamp, I'm not able to answer the question as I don't know any of the particulars. I can tell you this: On older MP-1s we used a vacuum tube regulator and there were two problems with this.
Some people did not put in the tube (did not or would not read the manual), and while the preamp would work this way it certainly would not sound right. The other problem is that the tube would fail and the preamp would continue to run, again in a compromised state. Newer MP-1s have this issue fixed with a semiconductor regulator that is impedance, temperature and short protected (and is an order of magnitude better regulation and smoother impedance). That would be my guess about what was going on.
Herman, I agree that RCA connectors have plenty of weaknesses. RCA developed them for purposes other then audio and we have been making do ever since. I prefer a connection that locks in place somehow (like 1/4" phone plugs; I also appreciate their robustness), but that's just me.
My soapbox: If high end audio as an industry went to 1/4 phone connectors, we could use balanced and single-ended connections intermixed, as 1/4 phone plugs can support either. A lot less screwing around...
Naim, being British, is typical of using DIN connectors, like other Euro manufacturers. Its kind of a tradition- I have an old Echolette (used by musicians) made in Germany in the early 60s) that uses DIN connections. DIN connections can be used about any way you want- balanced, SE either in mono or stereo, or as SE inputs/outputs. BTW, Naim uses balanced circuits as elements in their power amp circuits. Just thought you should know :)
Buscis2, thanks for the comments. I've taught more then one class in the past and the education aspect definately gets away from me. High End Audio being what it is, you can spend *WAY* too much money and wind up having a stereo that essentially sucks. I see no point in that, so if I can be helpful I do give it a try. On these forums, I try to stick to what I know and stay away from those things for which I have no passion.
The interface to a speaker really depends on the amp, not the speaker. The reason is that the speaker floats, and if you change the connections to it, all that changes is the phase. OTOH, some amps drive a speaker SE and others are balanced. Ours drive it balanced of course, either speaker terminal is floating (not connected to) ground. Some speakers have balanced topologies in the crossovers and other don't.
With regards to the question about the preamp, I'm not able to answer the question as I don't know any of the particulars. I can tell you this: On older MP-1s we used a vacuum tube regulator and there were two problems with this.
Some people did not put in the tube (did not or would not read the manual), and while the preamp would work this way it certainly would not sound right. The other problem is that the tube would fail and the preamp would continue to run, again in a compromised state. Newer MP-1s have this issue fixed with a semiconductor regulator that is impedance, temperature and short protected (and is an order of magnitude better regulation and smoother impedance). That would be my guess about what was going on.
Herman, I agree that RCA connectors have plenty of weaknesses. RCA developed them for purposes other then audio and we have been making do ever since. I prefer a connection that locks in place somehow (like 1/4" phone plugs; I also appreciate their robustness), but that's just me.
My soapbox: If high end audio as an industry went to 1/4 phone connectors, we could use balanced and single-ended connections intermixed, as 1/4 phone plugs can support either. A lot less screwing around...
Naim, being British, is typical of using DIN connectors, like other Euro manufacturers. Its kind of a tradition- I have an old Echolette (used by musicians) made in Germany in the early 60s) that uses DIN connections. DIN connections can be used about any way you want- balanced, SE either in mono or stereo, or as SE inputs/outputs. BTW, Naim uses balanced circuits as elements in their power amp circuits. Just thought you should know :)
Buscis2, thanks for the comments. I've taught more then one class in the past and the education aspect definately gets away from me. High End Audio being what it is, you can spend *WAY* too much money and wind up having a stereo that essentially sucks. I see no point in that, so if I can be helpful I do give it a try. On these forums, I try to stick to what I know and stay away from those things for which I have no passion.