Rcm,
Thank you most kindly for posting the Inner Ear report.
I find your Coulomb based model intriguing.
I am,however,*as yet* unconvinced that my own assessment of the mechanisms at work differs to any significant degree in the actual application(ie-rapid evacuation/selective broadband filtering/damping within the leg structure/rigid grounding to earth).
In the development of my own product, I use a model which aligns itself quite closely in philosophy with that which you propose tho the approach is signifcantly different.The main thing is that those models work consistantly and predictably for each of us.
I found conceptual agreement in your T.H.E. Show sample and wish you much success.I believe that we have far more in common than would be indicated by the unforunate turn that this thread has taken.
As I view your product, it is also one of the very few concerned with the preservation of temporal, dynamic and microdynamic qualities of music reproduction as opposed to the preponderance of devices on the market that ulitize the bludgeon approach to isolation or tune for special effects to the detriment of the vitality and communicative qualities of the music.
Regards,
Ken Lyon
GreaterRanges/Neuance
Thank you most kindly for posting the Inner Ear report.
I find your Coulomb based model intriguing.
I am,however,*as yet* unconvinced that my own assessment of the mechanisms at work differs to any significant degree in the actual application(ie-rapid evacuation/selective broadband filtering/damping within the leg structure/rigid grounding to earth).
In the development of my own product, I use a model which aligns itself quite closely in philosophy with that which you propose tho the approach is signifcantly different.The main thing is that those models work consistantly and predictably for each of us.
I found conceptual agreement in your T.H.E. Show sample and wish you much success.I believe that we have far more in common than would be indicated by the unforunate turn that this thread has taken.
As I view your product, it is also one of the very few concerned with the preservation of temporal, dynamic and microdynamic qualities of music reproduction as opposed to the preponderance of devices on the market that ulitize the bludgeon approach to isolation or tune for special effects to the detriment of the vitality and communicative qualities of the music.
Regards,
Ken Lyon
GreaterRanges/Neuance