When I started reading this thread tonight my first reaction was MA-2.
My older MA1's seem to drive anything I throw at them, even impedances which are supposed to be mismatched for OTL's.
I have heard the MBL101 a number of times over the years, and have enjoyed their evolution in quality.
This past show in NYC I thought the 101's were clearly being overdriven in the large room they were in. I mentioned that to the MBL rep, that the sound had a hard quality on louder passages I had never head in the speakers before.
I wonder if anyone else noticed the same?
The purity of OTL I think would make a great sonic partner to such a revealing, holographic and musical speaker, and the MA2's should clearly have enough muscle to do that.
I wouldn't doubt one of Ralph's customers has found a fantastic match. I'd even be curious to hear MA2 (or 1's) up top and SS on the bottom.
I recently went to a system like this and love the flexibilty of an ajdustable gain remote amp on the bottom to tailor the amount of bass needed from cut to cut help complete the illusion of live music at the current listening level.
My older MA1's seem to drive anything I throw at them, even impedances which are supposed to be mismatched for OTL's.
I have heard the MBL101 a number of times over the years, and have enjoyed their evolution in quality.
This past show in NYC I thought the 101's were clearly being overdriven in the large room they were in. I mentioned that to the MBL rep, that the sound had a hard quality on louder passages I had never head in the speakers before.
I wonder if anyone else noticed the same?
The purity of OTL I think would make a great sonic partner to such a revealing, holographic and musical speaker, and the MA2's should clearly have enough muscle to do that.
I wouldn't doubt one of Ralph's customers has found a fantastic match. I'd even be curious to hear MA2 (or 1's) up top and SS on the bottom.
I recently went to a system like this and love the flexibilty of an ajdustable gain remote amp on the bottom to tailor the amount of bass needed from cut to cut help complete the illusion of live music at the current listening level.