Hanging Audio Rack?

So then, what is the best possible floor for a rack to sit on? Let's say we were designing from scratch. I've always found it hard to believe that a wood floor system with it's giant diaphram is good, and concrete retains too much energy. In the perfect world, what would your set-up look like from earth up and why?

I have considered this, although it would be a huge commitment. Beyond traditional pier and beam construction, each piece of sensitive equipment would get it's own individual concrete pedestal, going deep into the earth, below the house. The rest of the living/listening area would be constructed in the normal fashion. Finishing out the pedestals and the living area floor to the same height would be tricky. Then a seal between the two individual surfaces would be needed to fill the void . With the equipment on their own individual solid concrete blocks, the entire house would be de coupled from the equipment. I know one high end manufacturer that uses this design in his home. Unfortunately I have not had the pleasure to visit and view the project myself.

Jadem6 asks a very good question. I'll give you what I've done--is it the best--no. I have a concrete slab with standard 2x4 framing. The audioroom floor is a floating (pergo) floor with an oriental rug covering 3/4 of it. All audio racks are build outward from the framing. The turntable "floats" on oak cantilevers with 150 lb granite slab on the oak. All components are in the adjacent room with the cabinet cantilevered from the wall joists. The shelving is corrian--I've found it has very little resonance (be careful here--other solid surface material does have very bad resonant signatures). There is certainly better shelving material--and I've started to experiment with a few things.

What would be better? Well a dedicated concrete slab that was separate from the audio room floor. Some people have used dedicated slabs for the speakers as well. This almost insures decoupling of the speaker vibration to the room (as well as equipment). Obviously, it's pretty impracticle--but if you were building a house and cost no object audio room--that would probably be the way to go.

This is too funny--I was writing my post while at the same time Albert posted his--when I submitted it--that's when his appeared. I like your ideas Albert--wish I had hit submit just a little faster.

I am not sure you guys are on the right path. If you sink concrete into the ground you are ensuring you get vibrations from one of the most likely sources, the planet we live on - it rumbles and grunts all the time, and transmits energy from passing vehicles. I still reckon that whatever you do you need to use a very light and rigid structure as the last step between your equipment and any supporting structure, with sharp point interfaces. I will not go further because I have already stated these opinions elsewhere and at length. If you will pardon me for a moment and hopefully accept I am not wishing to criticise, my general observation and generalisation is that Americans tend to veer towards over-building things and appear to inherently believe in using significant mass in anything they build. I could point to many American products as examples, and to the difference between reviews on either side of the Atlantic of such things as remote controls, where Americans want a remote machined from a solid piece of aluminium, and others want one that is light and easy to hold. I have often pondered that this seems to lead American audiophiles in the wrong direction a lot of the time when it comes to equipment support. Sorry for the gross generalisation - I happen to like your 60lb CD players with their half inch thick aluminium face plates.