This Sistrum stuff works


Hi. I just got a bunch of Sistrum products to add to my system. The package arrived, with 2 Sistrum Speaker Platforms, 2 Sistrum Equipment Platforms, 2 sets of AudioPoints, a pair of Sonoran Plateau Desert Speaker Cables, and a pair of Sonoran Plateau Cactus RCA Interconnects.

I wanted to try an entire line of products that were designed to work together, using the unique vibration management system that the Sistrum and Sonoran products have. I thought this approach could have some merit.

I put the products into the system, 1 by 1, and listened for differences. I started with the speaker platforms. I immediately noticed that the slight "boxiness" that was present primarily in the lower midrange was almost eliminated. And the bass, and midbass was much more defined than before. Overall clarity seemed improved, but it was already quite clear to start with. One of the more interesting benefits was that I could play louder than before, with less audible distortion. Then I tried the equipment platforms under my preamp and amp. This improved the focus of the entire presentation by several percent. And again, I could play even louder before noticing any distortion occurring. The next candidate was the Audiopoints under my Teres TT. This was where I noticed an increase in detail and lowering of the noise floor. I had already used BDR cones and Cocobolo Cones under the TT, and these beat both of those quite convincingly. The final thing was the Sonoran Cables. These need some time to break in, but after about 4 hours of playing, this package is giving me the best sound that I have ever gotten from this system. The cables, even right out of the box, were quite open and detailed, with no high-frequency rolloff that I had experienced with some other cables I've tried, like Cardas Golden. After just a few hours, the bass was really showing excellent tonality and control. The mids were as open as my DIY cables, which had previously slain all comers. I expect these Sonoran cables to improve over the next couple of weeks, and that will be a nice treat, because they are already sounding quite good indeed.

Now, I have to admit that I have not tried a boatload of different cables, but I have tried a few. My cone and support situation was in need, and I didn't have a very good vibration control system in place before I got this stuff. Maybe other stuff can do very well too. But I can say that this Sistrum and Sonoran stuff does exactly what it says it does, and I am very pleased with the results that I got on my system.

In addition, I really like the appearance of these products, and that never hurts, even though my audio room looks more like a workshop than a living room. I go primarily for performance, and not looks. The sound is the key issue for me. But good looks are always a positive, if the sound is also good.

I would say that I recieved an honest 15% improvement in the clarity, tonal quality(especially in the low end), and in maximum SPL that I can now attain. Although I didn't measure it, I feel that I got an additional 3db SPL over what I was getting before. And with the improved clarity and tone at the same time. With my low power tube system, this was a very big plus, because it was like getting more power out of my amp. Sistrum claims that when you use their products, you get better efficiency from your system, including amps and speakers, due to proper vibration management. I now believe that this is true, because I experienced that in my testing with my system.

I could heartily recommend these products to others, because I feel that if they work on my system, they will work on others. The technology works. I'm happy.

While other isolation products may be very good, and also other cables may be very good, I feel that these are doing a great job, and have good neutrality, but let the sound and dynamics come through crystal clear, and from top to bottom.

This package wasn't cheap, at about $3000 retail for all the items I got. But it is not anywhere near the high price that alot of other cables and racks cost. I think it strikes a very good level of performance for a reasonable price. I can't buy $8k speaker cables, or $5k audio racks.

I'd recommend them for anyone to try out. They really do work, just as the manufacturer claims.
twl
Brulee,

I will try to be more clear. What I understand technically about a piece of gear and what I experience during a listening session are Yin and Yang - two faces of the same thing. Neither one is truth on its own. Both are invaluable to me.

Warrenh,

I have never seen my own DNA, and when I am doing the audio thing, I am only paying attention to what is going on between my ears. Wish I could give you a better answer to your question.
I have listened to a system that used a Sistrum SP-5, the sistrum amp stands many many times and it was nice- how ever the owner of that system heard a very similar system to his with a rix rax hoodoo and well needless to say the sistrum was sold and his hoodoo should arrive in a week or so. He considered the Grand Prix but neither he nor I liked the design- between the lack of support on the rear of the shelf(it must flex??) and the some what gimmicky isolation and the simple fact that he didn't have a chance to listen to one. The Rix Rax have a great reputation and I am looking forward to hearing it- and comparing it to the old sistrum. I was always impressed with the look and simple function of the sistrum- I do see how many like it. How ever I have found an isolation device that puts all others to shame, not only functionally but aesthetically pleasing- I have hired some of the girls from my old job ;) to lay my gear on when I am listening(I use 2 for my amp-its pretty heavy- and a spare to change my disc upon request) you would be amazed how good it works, it turns out humans make a great dampening/isotation device.

Sean- Angela is alive and well(the last I talked with her- about 1-2 weeks ago) she had some things to take care of on the east coast and then back home to settle in- she was sick and busy with the move so I wanted to give her a little space- I am surprised she hasn't been posting by now. Speaking of posting again, I am glad to see Brulee's participation again- he was MIA for quite some time- weather you agree with him or not its nice to see one of the original members back. He keeps us on our toes its sort of like having a cornfedboy light(low in carbs. and just one calorie :) on hand.

Brulee- All I can say to you is- and this is just for old time sake- "trust me I am a tireguy".......well it just doesn't have the same ring to it :)
Thanks Tireguy,Maybe a different sounding ring, but a welcome ring just the same.

Judit, I think we have come to an agreement. I agree, in fact my point has been as you said "I am only paying attention to what is going on between my ears". I don't think you can give a better answer. This may be viewed simplistic to those who rather blather on, and on, and on, and have all kinds of flimsey excuses or some pseudo intellect that serves no one. What i have quoted you on is all I was trying to say. Thanks for saying it so well with so few words. I reserve my time for those that like to write novels in a different forum. You know, things like books that take you somewhere than the big yawn.
Brulee: Why not discuss the matter in a logical manner ? I have presented my side of the how's & why's and all that you have done is throw stones. Can you not understand "any" of the logic or responses that i've posted to you here ? Sean
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Brent Riehl designed the original Audiopoint in 1989 not Michael Green. Green was a pretty boy front man smart enough to capitalize on a good concept when he could grab one. As TWL stated a company north of Detroit makes a try to be knockoff of the Sonoran cable, also a Brent Riehl design. Sistrum Platforms and The Science of Resonance Transfer a unique and controversial concept is also a Brent Riehl design. I suppose the fact that most people--------------- " have not gotten it" has protected Brent and Robert of Starsound from being ----- off again! As I understand it Brent and Robert are two of the principals of Starsound. Nelson Pass patented class A designs of the early 80's were borrowed by JVC and other Japanese companies. You have to have big money to protect your published ideas from becoming public domain so they do not become an unearned profit vehicle for the fasthanded.