Stereophile's refusal to review more low


I have read countless letters to the editor pleading for more reviews of real world priced equipment. So far they have not responded in any meaningfull way. I wonder why they continue to run these letters if they are so focused on the mega buck stuff. What do you think ?
stokjoc
Rayhall, I understand how you might get your impression, but you are mistaken. There is no conspiracy here. The manufacturers have no real influence on the reviewers. They are glad to reach the largest group of readers interested in audio/video period. There have been way too many negative comments regarding far too many different companies products for it to be so. All a reviewer has is his reputation, so I know they don't want to blow it by presenting biased info. Read with your eyes, and not your imagination. Of course there is some intermingling between reviewers and the manufacturers. I'm sure that occasionally one or two people make a great product that a reviewer loves, and they eventually become friendly, but that is normal. For the most part the reviewers have little or no contact from manufacturers, and are never told the content of the review should be positive because they need the advertising dollars. If that was happening, it wouldn't take long for it to be found out. There is plenty of integrity out there, you just have to look for it, how's yours lately?
Someone sent me this thread and I find it "interesting." I hope that folks who think Stereophile only reviews expensive gear listen better than they read. If you go through the mag you'll find products at all price points in most issues. I get accused of reviewing only expensive stuff, but I've reviewed inexpensive turntables, cartridges, and phono sections--all under $1000 and the last issue had the Intermezzos--a powered woofer stand mount speaker from Infinity that costs two grand which, is inexpensive given that the bottom is powered. I also reviewed the Red Rose R3s which cost 3 grand. Not cheap but not ultra-expensive either. Review budget stuff and the folks who want the expensive stuff covered complain. Review the expensive gear and those on the other side complain. You can't please all of the people all of the time. The posts that gall me are the ones that see "vast conspiracies" in Stereophile wherein the advertisers and reviewers collude. It really doesn't happen.

The editor posted a message here about my review of the Hovland preamp was proof that we don't cater to advertisers and the larger companies. He was in error of course: Hovland does advertise in Stereophile. The editor wasn't aware of it, which I think speaks volumes.

I've been doing this for 15 years now and no one at TAS or Stereophile has ever told me what to review, believe it or not. I see something I like and ask to review it. Sometimes I get to, sometimes others beat me to it or the editor feels someone else should get a crack at it. but there's no coordinated effort going on that I know of.

Frankly, I think reviews should be read to learn not just about the product being reviewed, but for insight about how the reviewer listens or goes about evaluating a product. A good review will be valuable even if the product being reviewed is something the reader has no interest in because it should contain some useful information for everyone reading it.

Audiophiles should go listen for themselves before buying anything.

Okay, now ATTACK!

--Michael Fremer
A warm welcome, Michael. It's gratifying to know that our little forum gets attention from one of the best reviewers in the business. One of your colleagues, Anthony Cordesman, is another reviewer who has garnered my respect over the years. I hope you will continue to post, now that I know who "Grooves" really is.
There are big companies with large advertising budgets and inexpensive products. You see their products reviewed all the time. It's mid-range (in price) products made by small companies with no advertising budget that aren't reviewed. No criticism intended though, and I'm sure someone can point to an exception or two.

The magazine is published to make a profit. It depends on advertising revenue to do that. Advertisers need to feel their ads will be seen by people who are likely to buy their products. Circulation to readers interested in higher priced equipment and ad revenue from big ticket manufacturers would decline if there were many more reviews of inexpensive equipment. Too many reviews of cheap stuff and the mag will be filled with consumer electronics ads.

Of course, a couple of columnists and the editor do call occasional attention to noteworthy products in the economy range. But they're always careful to suggest the product as something you might recommend to a non-audiophile friend or buy for your college-bound son or aging parent with a significant hearing loss. Don't want to spook the high-end advertisers after all.
Paul, facts are usually different from impressions. If I had the time to analyze all of Stereophile's reviews for a year I bet there would be quite a good percentage of mid priced gear from small companies. Let's not forget that the reviewers are audiophiles themselves and are seeking out the good stuff wherever it may come from. What does it take for you to get it? Michael Fremer tells you that his reviews do not take the advertisers into account and you still recite the "advertisers control reviewers" mantra. Some people just like to think there's a conspiracy behind everything.