Soliloquy 6.2i vs VS vr4jr , Zu Druid & Usher 6371


I have the Soliloquy's and have the ' upgrade' bug !
I am not able to sample equipment very easily and am looking to narrow down my choices here .
I am using an Audio Aero Prima integrated amp with a Granite 657 CDP .
While I don't have any real problems with this set-up I would like to improve on it .
My listening room is small at 11ft. X 12ft. thus I listen in the near field , @ 6ft. from the speakers . I do listen to rock music but usually at low volume levels as well as contemporary blues and some female vocalists like Diana Krall. I value good ole toe tapping head bobbing involvement most of all .
The only other speaker that I have any experience with is JM Labs Electra 926. I did not care for them as they did not have any 'heart' and were a little tizzy on the top end .
I would like to know how these choices would compare to my Soliloquys in my situation . Would these be a side ways move or an upgrade ? I realize that each one will have a different sound and would like to know what that difference is .
Any other moves from the Sols, that were an improvemnt, would be welcomed .
Thank you .
saki70
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Thanks for the response. I can't explain how two watts and a speaker that rolls off at 40 Hz performs with so little compromise. I'm sure that's a secret that Zu and Yamamoto want to keep.
If there is some physics secret here that has managed to elude every speaker & amp builder in history, then more power to the Zu guys.

I heard the Druids twice, and thought they sounded rather UNbalanced--piercing highs & overly-resonant cabinet--but given what you have to say about getting pulled in over time, as well as the comments other owners, I look forward to hearing them (and the Definitions) again.

I tried a variety of different music types during the audition. None of it was what I would consider "lighter fare".
You listed Natalie Merchant, Alison Krauss, Jack Johnson, etc. among those you heard with this setup. Those IMO would qualify as lighter fare.

It would seem from your comments that your goal has little to do with replicating the dynamic composure of live music. Would you say that's true? Not that it matters a lot, other than to give additional context to your conclusions.

Thanks, Jeff.
Evita,

Your experience with the Druids was very different from mine. Please give a few more specifics about your auditions. Where did you hear them? What were the associated componenets? How long did you listen? What types of music did you listen to? I'm curious about what could have made our experiences so different. Also, just for reference, I did not detect any room treatment whatsoever during the audition. I can see how that could potentially lead to disaster at a stereo show, and I wonder if Zu just got lucky in this instance.

Also, in response to your other comment, I think that recreating the dynamic composure of live music is less important to me than some other speaker attributes such as tone, timbre, speed, transparency, and texture. Of course, since I have yet to hear the perfect speaker, everything becomes a tradeoff. Those are just a few of the attributes that are important to me. I did mention in the review that you won't mistake listening to the Druids for a live event. Other speakers replicate those kinds of dynamics better. Avantgarde comes to mind. If that's important to you, I would keep shopping. Hope that helps you understand what I like in a speaker.

Jeff
Jeff,
I heard them at a show, in a room set up by Zu. They had Audiopax amps. The three of us did not stay long. Honestly, the sound was painful. But again, your comments as well as those of others are intriguing, so I'll hear them again soon. One never knows if it's the setup itself, or perhaps the effect of having heard 15+ rooms prior.

Thank you again for your comments.