I'd have to agree with Earflappin.
Sub integration for music is not that easy...and very room/speaker placement dependent. Why?...because of all those reflected and standing LF waves from three sources: two speakers and a woofer.
I went for a corner placement for my sub (along the speaker wall and aligned with the speaker baffle edge). This keeps the phase alignment with the speakers and I suspect only works because I have few room resonance problems (large odd shape room and no obvious related multiples in dimensions).
I still needed to use a notch filter in the DSP for the 40Hz mode which was about 6 db too strong but there are no major suckouts with my corner position. I got major suckouts (up to 15 db) when I tried other sub room positions.
In summary, adding the last lower octave may bring a host of problems with it [unless you are willing to renovate or go for extensive acoustic treatments].
Sub integration for music is not that easy...and very room/speaker placement dependent. Why?...because of all those reflected and standing LF waves from three sources: two speakers and a woofer.
I went for a corner placement for my sub (along the speaker wall and aligned with the speaker baffle edge). This keeps the phase alignment with the speakers and I suspect only works because I have few room resonance problems (large odd shape room and no obvious related multiples in dimensions).
I still needed to use a notch filter in the DSP for the 40Hz mode which was about 6 db too strong but there are no major suckouts with my corner position. I got major suckouts (up to 15 db) when I tried other sub room positions.
In summary, adding the last lower octave may bring a host of problems with it [unless you are willing to renovate or go for extensive acoustic treatments].