Pick your poison...2-channel or multi?


This post is just to get a general ideas among audiophiles and audio enthusiasts; to see who really likes what. Here's the catch!

If you were restricted to a budget of $10,000, and wanted to assemble a system, from start to finish, which format would you choose, 2 channel or mulichannel?

I'll go first and say multichannel. I've has to opportunity to hear a multichannel setup done right and can't see myself going back to 2-channel. I'm even taking my system posting down and will repost it as a multichannel system.

So...pick your poison! Which one will it be, 2-channel or multichannel.
cdwallace
D_Edwards...in response to your question about how I got my system to sound better....Up front I use 3 Merlin TSM-MMs...one shielded for the center channel..Merlin stands are custom built and sand filled with 4 point stand supports...The rear channel speakers are Source Technology which are designed for surround use and beat out a number of other speakers for rear channel use..They are also mounted at the right height in my room on the rear wall which took a bunch of experimentation....Speaker cables and interconnects are Anti Cables from Paul Speltz and have whopped up on a bunch of other cable/IC combos..Monster AVS2000 works well here where we have large voltage swings.....Amplification is Butler 5 channel tube amplifier....Sub is the new Velodyne DD 15...setting atop an ASC sub trap 18" by 18"..DVD player is a Verastarr Stage 2 modified Denon 3910..Power cords for all components are also custom but not overly expensive....My listening room has undergone extensive acoustic treatment from the corners...to the walls...floor and window treatments...It has become a much more involving and fun system than any combo of components I've had in the past 33 years..I couldn't have come up with this quality of system without the help of longtime Agon member David99...His recommendations ...suggestions..and patience to help me work through this new maze has been tremendous..and I really owe the results to him...I just forked over the dough.....My wife and I are very pleased to say the least....
CDw,

The holistic presentation of music from 2C, that I cited, exists for anyone careful enough to build a system and set it up to attain it. Your perception of this benefit appears to be absent, perhaps constrained by the limits of 2C systems you've built in the past. When you tire of chasing your tail with MC, as you no doubt will, you will return to technology appropriate to the task. That is, if you're listening to music rather than focused on movies. In the meantime, enjoy the route you've taken. It will be fun for you. We always say the journey, not the destination, is the point of travel, right?

Phil
Phil...the holistic benifit has always been in my previous 2ch and current MC system. It's even in the numerous high and ultra high end systems I've heard at local and regional audioshops. I'm saying the holistic benifit is on a much grander scale than with 2ch. Not with movies but with music. You're more than correct, I'm having a ball with MC. The journey didn't take long either. I've been involed with mid and hifi for about 3 years now. MC is my reference, not 2 ch.
"I'm saying the holistic benifit is on a much grander scale than with 2ch."

Correction - on a grander scale...with MC, than 2ch.
"When you tire of chasing your tail with MC, as you no doubt will, you will return to technology appropriate to the task."

Phil you assume so much, how do you know you're not chasing your tail right now? It took you 53 years to find the right speakers? Why haven't you checked out speakers like Tannoy and Cabasse, all of which adhere to your ideals? Tannoy has made a speaker like yours for decades! Why not a Manger Zerobox 109 which can be setup to play from 200hz to 40khz with no crossover? I would think you might have explored some of these options. But you were going to buy a Sonus Faber?

"No, Cdw, you're missing my point. Taking one accurate driver and adding another is revealing the error between them. Then do it again, and again, and again, and you begin to have slightly distinct voices. Clarity and tone are the casualties. There are no two exactly matched drivers. This is just one of the many problems with line-source loudspeakers, even in 2C."

So you prove this point to us all by purchasing speakers that has no less than 7 drivers on them each? Ok, so this aspect may not be SO important after all. And competent surround processors are quite capable of perfectly aligning the speakers, that's why there are some processors you shouldn't buy. I believe You waaaaay over state your abilities to hear differences between two drivers and overlook the transitions a single driver goes through making its own sound. A full range cone driver will likely have greater variation in tone than three seperate elements.

some Single cone problems;
1. Uneven frequency response= less Fidelity
2. The transition from 4pi to 2pi, makes the driver sound as different as two drivers and destroys tone
3. Modulation of high frequencies due to low frequency content. destroys tone and fidelity

These are just a few of the reasons most speaker designers put two to three drivers in their systems anyway. If one driver is going to sound different across its frequency band why not use two , each optimized for its bandwidth. They call it the lesser of two evils I think. This ability to hear the lack of holistic sound in multi-driver systems is all in your head as you have proven by your actions.

"Nothing on the market sounds like a Zu speaker. Honestly. Whether you like them or not, Zu speakers are their own thing."

Yes I agree. That Includes what's on the recording.

"There'd be software processing attempting to ham-handedly simulate much more complex wave behavior than the processor and speaker array would be up to."

I'm sure Jim Fosgate and Bob Stuart disagree and You have little or no idea how modern surround works and the current complexity of processing and accuracy of the algorithms. Two channel directly interferes with natural wave propagation, it is an unfortunate tone destroying side effect. That is why you still use triodes and if not those an autoformer McIntosh which dull the leading edge that is so harsh on a simple two channel system. Your whole system right down to your Denon cartridge addresses and diffuses and dulls the inherent high frequency issues in two channel. Unwittingly you have showed your hand, by doing everything you can to diffuse and soften the highs of your system. As the sources and electronics continue to improve, using only two speakers becomes the obvious liability. One day you will figure that out. In the end Phil you don't have to worry about me having the tone and fidelity in my system. You are too inconsistent to be the arbitor of tone and fidelity and if you took a second to refresh yourself you would see how incorrect these following statements sound to someone like me when we consider all that you have said and further more your actions;

"Effects, breakdown analysis, picayune critique of details. I find fewer and fewer people listening holistically or even able to comprehend what I mean by that."

(That's because you don't define it very well, because you say one thing and do another.)

"Yes, Cdw, every speaker that uses massed drivers has the same problem I outlined. It only gets worse with many speakers, and is containable with just two." "Yes, my speaker is better for a lot of reasons," "And yes, sometime you will hear what I'm talking about -- that good drivers massed draw attention to what is not matched." (and buy those speakers anyway :) "No, I haven't yet found you can add multiple drivers and achieve intended tone if the drivers are accurate. No two drivers are fully matched. Just close. Having more just makes the inconsistencies more audible and disruptive to fidelity." (so I should buy a speaker with 7 drivers each?) Magic Chipmunk No. 7!

"But that will sometime change and you'll begin paying attention to what your ears already know, that your brain has yet to assimilate. Patience." (The brain knows we hear in a primarily 360 degrees field, what more is there to know?)

"How's that done? With inventive combinations of resistors, capacitors, chokes, inductors"
(The rest of us call that an equalizer, I can't believe you have an equalizer built into your 1920 amplifiers, that's so cool! is it 5 band or 3 band?) .....doesn't that hurt "tone"?

"I don't have circa 1920 SET amps. And my speakers are phase-coherent. (proof please) I bet we can find that circuit in an old navy manual. "Monaural can have terrific tone", ( but a center channel in a system can't)

"heck let's give the MC guy 50% more! -- and 2C wins on fidelity, tone, less "unreality."" (sounds like wager time!)

"Well-made stereo works with human spatial perception in a way mono nearly completely lacks." (and 2ch mostly lacks)

Well Phil we are at an impasse, but you need to get your story straight. Because you tell me one thing and then we have to make an exception for your equipment and your choices. You don't follow what you say is true. So you discredit yourself, which is why I am confused at times.