What are the specs of a full range speaker?

Maybe it's because I grew up attending a Catholic cathedral on Sundays. The organ play made it all worthwhile. I loved both the huge bass pipes to the ethereal strings.

Away from church, for twisted fun, I tortured the neighbors Shitsuitsu with a dog whistle. It was cruel, but I did learn dogs hear more than we do.

I once read the reason we hear between 20 and 20k, is because that encompasses all that is relevant to our survival. I'm sure that explanation doesn't wash with birds and dogs.

I'm one of those extremes that hears way high and soft. I don't know how many times I hear bright and grainy, when other listeners just hear highs. That leaves me agreeing with the dog, hearing UHF is not all that it's cracked up to be.

All I know is most systems are truly deficient in the 20-20k range, I don't know why anyone would want to perfect what they can't hear before they get what they can hear right.

Maybe it's because most people have trouble hearing above 14Kz they don't hear the deficiencies that their systems scream out between 14Kz and 20Kz.

Pbb has a good point, what is the most reasonable range, which he says is 30hz through say 16Khz. Hoover joins in with agreement and is hapy to see someone actually post this. My speakers go to 40hz and so far have been satisfactory enough. IOW when I play the New Orleans Jazz complitaion and another compliation Blues cd, both very high quality sound recoding, the bbass fills the room. Thats at between 1/4, 1/3 volume on my 40 watt tube amp. But considering I mostly listen to classical, i'm now ready to get at those fq's from the bass, cellos, tubas, timpini's, the 30hz-40hz. IOW I want a new experience from my classical with that added bass. Now the 20-30hz's I'll be missing. But as Pbb mentions just how important are these super low fq's, how much will they be missed? How often in classical are these fq's there? In solo piano there's not much below 40 I'm sure. Yes the piano can go as low as 20, but how often do composers work in that low fq in piano scores and even in orchestral. Rarely.
And the upper range, who knows from human hearing when a tweet rolls off at 20hz, and other tweets at 22Khz? I'd guess on the jazz and blues cds there is more going on in the 20Khz+ range than in my classical. But those tweets that go up to 22Khz+, are they delivering quality superhighs, 22K-25Khz? Are are the highs sort of "fake" sounding, tinsel-y/ metalic, IOW fatigueing? That is do tweets that go as high as 25hz+, is that upper range for real? Also is they are designed to go too high, then how well do they meet the mids of the lower drivers? Which is why my seas' tweet does not sparkle, but instead has a bigger bottom end and meets the midwoofer with seamless resolution. I do not lmsii the 22hz+ that the Seas seem to not deliver on.
So I'd say full range is 30hz - 18Khz as Pbb mentioned.
I'll read the other posts here. Some great comments are being made and we are carrying audio one step further to a PROPER understanding. For too long audio knowledge has been in the dark ages, and audio labs have taken full advantage of our ignorance and pushing its bull on us.

Muralman:"all I know is most systems are truly deficient in the 20-20Khz range(meaning problems in qulility of reproduction of the original source)..I don't knwo why anyone would want to perfect what they can't hear, before they (first) get right, what hz's they can actaully hear". Agree, before we run after the 20hz-30hz/20K hz-25Khz, first how does the speaker reproduce the 40-18K hz?
For me its more important taht a speaker offer a seamless image in the meeting of the bass/mids/highs,, that it is to get at the 20-30 and 20Khz+ range. Actually 30hz is my bottom range I'm interested in. I alreday have a speaker in mind that fits the characteristics I'm looking for.

Goroi- I was referring to speaker systems of any kind, not just single driver systems.

Sogood51- I like your "room lock" and "room shudder" concepts.

Newbee-The passage says "reaches down into the 30s WITH SOME WEIGHT". Is that meaningless? The meaning was clear to me but maybe it didn't translate well.

Pbb- Thanks for taking this where I had hoped it might go. What use is the inaudible? I personally feel that the whole absolute sound model steers us away from a relaxed and pleasant music listening experience and causes us to grip our chairs and squeeze the last note out of our equipment.
Why are so many of us so obsessive?