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Hi-Fi Lingo and What we should be listening for

I'm writing this because I think that it would be beneficial to have a consensus on what various terms used to describe a systems sound mean. I get the impression that there is confusion, or at least that people use the same term to describe more than one quality.

For example i've seen some components described as "overly detailed", this also seems to have connotations in a lot of people minds of brightness or tilted up trebel. I really think the two are completely separate, and that in fact if your goal is to get the most realistic portrayal of the recorded event it is impossible to have an overly detailed component/presentation. You can only have as much detail as was recorded, if you want to recreate it in a manner that is as close to reality as possible (assuming the recording comes close to the semblance of the actual instrument), then almost by definition you want all the detail that is on the recording. Detail is what it is, it does not imply brightness...although tilted -up trebel often gives the impression of detail careful listening will separate one from the other.

The other term that seems full of connotaion and ambiguity is "musical"...this has got to be the most overused desriptor in our hobby. It has connotations of emotional involvment but strangly also of warmth....again i think this needs clarification...I would think and feel personally that the most musical presentation would be one that sounds the closest to the actual event hence warmth would be a detractor and less musical than nutrality...if it is music we are listening for then how can something other than faithful recreation of the musical event be more musical.

If a recordng is warm then the warmth will show up on a neautral system just as a brightly recorded album will sound bright...as it should...

Im not trying to stir anything up just putting this out there to generate a dialogue.

Why dont audiophiles almost by definition like neutral components...assuming the goal of out hobby is the accurate recreation of the recorded musical event.

Thanks
mbacinello
veroman's avatar
veroman
298 posts
 
great thread! lots of good points. fwiw i have acoustic instrments, grand piano etc., being played in the room bordering my listening area. to me, the only goal in my stereo rig AND ROOM is to as closely as possible recreate that sound quality coming from the 'live' room. if music is recorded poorly i do not find it compelling for very long. a real virtuoso bland recording may be more compelling but still not what i want to spend time with. point is: for ME, the ability to hear the diff. is not something a lot of people may have. not a judgement. my mom has perfect pitch but it does not make her a 'better' musician. AND lotso listeners do not care for my type of music. my system is mismatched with the stones and zeppelin but i still like to hear them on other stereos.
hahnzie
19 posts
 
I agree this is a great thread. I have become a little disinheartened lately with everyone who just seems to copy what they say in the audio rags. It seems that when stereophile states a system shouldn't "image" becuase it is an artifact of the recording not of live sound then everyone just agrees. I think that is the worst load of Sh*t I have heard. If you can't hear what direction someone is speaking from then you have no business in this hobby. The reason this relates to this thread is that lately I have noticed people saying things like it has a "Hi-Fi" sound not a musical sound. What the hell is that supposed to mean? "Hi-Fi" the last I looked stood for high fidelity, or highly faithful to the original.

I suspect the confusion of the terminology stems form the same audio rags. If you notice, Stereophile hardly ever gives a bad review. When they do they mascarade it with terms like, it sounded very forward. Well that isn't necesarilly a bad thing could be a forward presentation as in the sound stage was in front of the speakers or some use it to mean it was bright.
jaapjess
17 posts
 
Maybe it is because music is not english and can't be quite explained in words, it is also something you feel. That is why some high end systems have it and others sound cold and analytical perhaps. I remember peter gabriel saying something like that your mind interprets music and fills in the details of what you hear in a sense. With a lot of equipment I think there is an art involved in manufacturing and sounding out gear and I wonder if some of it is getting lost through greed over time, which the hifi gurus try to gloss over with their nice words. I noticed the weight of the cd players sound and impact getting thinner the newer the stuff becomes. Also I have older speakers Mordaunt Short Signifer(1980) and comparing these with some modern $3000-$4000 Dynaudio speakers the loss of impact from the Dyn bass mid drivers was shocking. You can hear a drum on the MS and it hits you, it sounds awefully punchless on the dynaudio's.

Perhaps audible differences in music conveyance aren't that great anymore between the various competetitors, so a perception needs to be created by the media that XXX is so much better, and therefore warrents your dollar and because there is no real love for music involved anymore the reviewers get confused. Mind you Art Dudley wrote an article to the effect that all expensive powercables are a waste of time and he has only heard an improvement in sound with a digital source by using a more expensive one. In view of that what do I make of people paying $6000 for a good cable. I think by him writing an article like that his opinion can be regarded as possibly not being manipulated by greed. Music is an experience, and maybe we should get a glossary of word meanings as used in some legal documents to be able to desribe the experience with a more objective tone.
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