Professional Monitors


I have been exploring the idea of getting new speakers. I will use them in a multichannel application, but my primary concern is two channel playback. Surfing around the other day I found the Focal/JM Lab Solo6 monitors. I love their Electra BE line, but they are to pricey for my budget.

My main question is do any of you have experience with these specific speakers? What are the positives vs. the negatives?

I know that they are nearfield monitors. I have never listened to a nearfield speaker. My seating currently is about 10 feet from my speakers. I can afford to go closer if need be. The 1007be run 4k a pair with no amplification, where these are 2k a pair with built in amps and identical drivers??

Thanks for any input in advance!
gb_ksu
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Gb_ksu,

They do look like a bargain. However, this reflex port design in a very small box speaker (6.5" woofer) will be unlikely to give you accurate bass. (i.e. you can't have your cake and eat it....great value will come at a little compromise)

I haven't seen measurements of the Solo6, however the bass design appears reminiscent of the Chorus 706, except Solo6 is an active design.

If I was buying the Chorus 706 then I would be concerned about the THD+N from 50 to 250 Hz from this small woofer and reflex design. (in percentage terms the THD+N distortion is around 20% in the bass up into the lower mid range)

The Solo6 may be a different animal (much better perhaps?), however, as they say, if it looks to good to be true...

I'd definitely investigate these first.
Shadorne,
You make a point about distortion. I have not seen any graphs concerning their distortion, so I can't say one way or the other. I would think that given the intended use of the product that distortion would be low over their capable range. Doesn't make sense to me that a monitor designed to aide in professional music recording that had high distortion would be accepted. Especially in a range an instrument would play. I could see it if it was below 50 or even 40 Hz because there are not a whole lot of instruments that play that low.

Again these are all assumptions on my part, so please don't feel that I'm trying to discredit your post. I have contacted a gentleman that works with the company that handles the North American distribution for Focal. I will try to see if he could possibly give some insight to this question. I will let you know if I get some answers.
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