Anything as " fast" as SPECTRAL gear?


(My 90's vintage still sounds good with very good (no -exceptional) isolation and conditioning. (Sound Application, Equitech & MIT). SPECTRAL claims faster today. OK. Mid 90's hot cars went 205-210, todays 210-220. Does it make any difference to the music?
ptss
Almarg. I feel I should have stated my comments applied to Spectral Audio gear as that is what I researched, bought and continue to own and follow. Their website will clarify their designs. Regarding subtlety, I certainly acknowledge that the more refined your system the clearer the difference exhibits. If your system is not well set up you won't hear or care about polarity, just like if you were listening with ear muffs on : - )
ZD. Again, perhaps for you to easily appreciate the difference you should invite me to tune up your system.
Also. I don't dispute That the recording process isn't often flawed; but I find the majority of classical and jazz very good. The people doing the recordings are serious about doing a good job.
"02-25-15: Ptss
Also. I don't dispute That the recording process isn't often flawed; but I find the majority of classical and jazz very good. The people doing the recordings are serious about doing a good job."

Sorry if I wasn't clear. I didn't mean to imply the recording process was flawed. The way I've always understood it is that its like a coin toss. About half of the recordings are one polarity, and the other half are the opposite. But that doesn't mean that there's anything with the recording, and the "fix" would be to just hit the polarity button on your preamp or source.
"02-25-15: Ptss
ZD. Again, perhaps for you to easily appreciate the difference you should invite me to tune up your system."

I don't doubt at all that this issue is something that you can easily hear. But we don't all perceive what we hear the same way. For example, we can both listen to the same system and have very different opinions on it. It doesn't mean one of us has more skill, or is a better listener, etc..., or anything else like that. We develop different priorities as to what we hear and don't hear, and if we like it or not. For me personally, I'm very sensitive to high frequencies. If the highs are not just as I like them, I can't listen to it. But, I know people that are just the opposite. They're not so picky about HF's, but they are with low frequencies. If the bass is not just right for them, they can't listen to the speaker. If I listen to that same system, though, I probably won't hear anything wrong with the bass. Or if I do, I would probably be able to tolerate it.

So, going back to our discussion on polarity, that may be one of the qualities that you're sensitive to. When we both listen to the same system, we can only focus on so much, but what we focus on may be completely different. The funny part of it all, is that we're not always aware that this type of thing is going on. And that's exactly why you really can't "force" recommend components to others like so often is the case. (Not accusing anyone here of that. Its just a general comment from what I see on this site overall.)