Search Yahoo for "Listening conditions for the assessment of sound programme material" and the EBU article will come up.
I understand your suspicion re: the Toole research, but one thing that the EBU study shows is that there is much consensus about many of these issues. Take the off-axis response issue. EBU doc states "Frequency response curves measured at directional angles +10° and +30° should not differ from the frequency response measured on the main axis (directional angle = 0°) by more than the following permissible deviations:" ...and then it gives the data.
Also in that doc is the operational room response curve. What you find many designers doing is tapering the HF response of their loudspeakers about a dB or two starting at 16kHz or so (varies with designer of course) and with the absorptive nature of room furnishings that can easily translate into the desired curve.
I understand your suspicion re: the Toole research, but one thing that the EBU study shows is that there is much consensus about many of these issues. Take the off-axis response issue. EBU doc states "Frequency response curves measured at directional angles +10° and +30° should not differ from the frequency response measured on the main axis (directional angle = 0°) by more than the following permissible deviations:" ...and then it gives the data.
Also in that doc is the operational room response curve. What you find many designers doing is tapering the HF response of their loudspeakers about a dB or two starting at 16kHz or so (varies with designer of course) and with the absorptive nature of room furnishings that can easily translate into the desired curve.