I believe musicians might disagree on an orchestral recording, but a direct recording of a flute at a microphone is going to have all its components intact, barring a bad recording. Also, a "good" recording of the human voice is also going to have all its components intact.
And, assuming that someone knows what they sound like when recorded, it is unlikely -- although we must allow for hearing differences -- that someone will not be able to discern which speaker sounds more "true to life."
The nice thing about clasical (and opera) musicians (some) is that they are not distracted by the razzle-dazzle of many audiophiles, plus they have one very important benefit: they hear music LIVE constantly. They need not be concerned about "more bass" or "better soundstage" or other things that audiophiles (myself included) place so much emphasis on, while ignoring that a voice unquestionably moves towards you through space. I have never heard a voice that does not project in music, since projection is de riguer in opera, all the while maintaining the line and the volume.
It's unlikely that a classical singer/musician would not recognize the musical capabilities of one speaker as superior to another, although things like tone and timbre can be a matter of personal taste in reproduced music.
And, assuming that someone knows what they sound like when recorded, it is unlikely -- although we must allow for hearing differences -- that someone will not be able to discern which speaker sounds more "true to life."
The nice thing about clasical (and opera) musicians (some) is that they are not distracted by the razzle-dazzle of many audiophiles, plus they have one very important benefit: they hear music LIVE constantly. They need not be concerned about "more bass" or "better soundstage" or other things that audiophiles (myself included) place so much emphasis on, while ignoring that a voice unquestionably moves towards you through space. I have never heard a voice that does not project in music, since projection is de riguer in opera, all the while maintaining the line and the volume.
It's unlikely that a classical singer/musician would not recognize the musical capabilities of one speaker as superior to another, although things like tone and timbre can be a matter of personal taste in reproduced music.