YG Acoustics add in Stereophile

I also own a pair of YG ANAT Ref II professional speakers and I agree with Kusina. Additionally, I have a pair of Kipod studios as rear channels and an ANAT Ref II center channel.

My listening position is 16ft back from the ANATs in an L-shaped room that is 16x32ft on the vertical part of the L and 35x16ft on the horizontal. I listen at realistic levels (well over 100db at the listening position) and have never had an issue with the speakers "bottoming" out or showing any stress whatsoever.

In my experience, typically, when a speaker shows signs of stress like that it is the amplifier not being able to maintain control and not an issue with the speaker. I certainly don't know in the cases that were cited.

I've heard many speakers, and while I've not heard every speaker, the YG are the best I've heard (and yes all speakers that I've heard have been on the Earth :) )! They sound realistic at any volume. I would highly encourage an audition of them.

Kusina and Kevinm, it is most definitely possible to overdrive the midrange unit of the Kipods but it is highly improbable that it would ever occur in any listening session unless you were trying.

YG knows this and offers an optional outboard high pass filter but I can't imagine ever needing one.

The Kipods are perfect for my tastes in music in my listening room.

They are certainly the best I've heard.

On this planet, anyway.

There is much more to loudspeakers performance then flat FR. Many cheap 2-ways have as good or better (off-axis) FR then YG. Have a look at a $1500 Paradigm (And they actually also go below 80Hz). But YG does not seems to know that or, quite successfully I suppose, rely on the gullibility of its propaganda readers. Just few point for thoughts: Look at Soundstage Anat Reference measurements. Does the 30 degree off-axis resemble the measurements in their ad? Not even close. How about, MAJOR distortion levels in the 300-500 Hz and 2K-6K region (Some of the highest I ever seen). These high THD figures tell much more about the speaker then its FR alone. How about his ridicules claim that he is one of the only “foreigner” to ever win Japanese Stereo Sound Grand Prix (Basically 90% of the manufactures to win are, not Japanese – that will make them foreigners right?). Now YG speakers might be fine (Although the idea of adding a powered sub to a full-range monitor is marginal at best), but I can’t see how anyone can take any of their claims seriously.

I came to hear the YGs two years ago at CES. Previously I have heard what I regard as the best speaker ever at the RMAF-the LSA model 10 as resurrected by John Tucker from a never assembled DK Designs speaker. By CES they had decided that the aluminum cabinet was too expensive to make and to not market the speaker.

I saw in the YG's the same rigid cabinets and took a listen. Their room was just awful but nevertheless the Anats sounded quite good. The References, however, were clearly better. Nevertheless, I really could not listen through the room's acoustics. Had they not been so expensive and had I been able to sell my present speakers, I would have tried them although I probably would have limited myself to the Anats despite having a large room. I continue to think they have great potential and now have the advantage of being American made and without the inflated prices of European speakers caused by the quite weak US dollar.

Tbg, I do agree with you. I love the Kipods but the Anat Reference II Studios are exceptional. Their American manufacture makes them a relative bargain but it was their performance that sold me.

As you may surmise, they sound far better in a "home" environment than at CES.
They do not require much room treatment at all to sound their best, unlike many other superb speakers I have had in my home.

So I bought them. Could not be more pleased.

Especially since the dollars went to Colorado, a place and people I admire and am pleased to support.

Not that I have any less appreciation for the advantages of the opportunistic global outsourcing transforming our "hobby".

I doubt seriously that my opinion of this transformation could possibly ever sink lower.

But I am aware that many toil diligently toward that end, unwittingly.
And even more unconsciously.

Even in our little hobby there are now sociodemoeconomic factors to consider, unless of course you just have to have that beryllium tweeter at sweatshop prices.

Our daughters here will soon be handproducing them anyway and since they won't have healthcare no responsible society will be able to compete.

I am not looking forward to that soundstage.