Verity Parsifal or Magico V3 or Wilson Benesch ACT

I think I am going to wait until the Magico V2 is released to give them a listen. So far I have only heard the Verity and Magico Mini. Both sounded excellent, but they were in different systems with very different electronics.

I wish their was a dealer with the ACT's in the NY/NJ/CT area.

Dhaan,

Interpreting anechoic measurements is an interesting excercise. Depending on testing technique, results may vary considerably. Assuming that the graph you cited contains no measurement artifacts in the bass (no sure thing, at all), I'd still read this graph much differently than you do.

These speakers aren't 6-8db depressed in the presence region. The full treble region is shelved down about 3 db from the bass/mid and you are seeing that transition. This downward tilt in anechoic response is almost always a good thing for in-room performance. Unless your room has a major bump above 80hz (and many do) to balance the increased presence/treble energy experienced in most rooms, flat anechoic response theough the treble will sound awfully aggressive in-room. If you employ a Hemholtz resonator to correct for this bump (bass trap, bass busters, etc), you will certainly appreciate the Verity's response pattern.

The graph looks worse than it is because there is also a troubling looking suckout in the lower treble from about 3K to 5K. (This range begins in the highest octave on a piano and extends past C7, well above what I'd call "presence".) II've never noticed this issue on my (pre-Ovation) P/Es, but it may be unique to the Ovations. It might make these sound a bit darker than mine, but again, this is tough to predict in-room. In any event, I would never dismiss a speaker based on this anechoic test result.

Marty

BTW, have you ever actually heard them?

Marty,

Unfortunately, these measurements, and the Sarastro one on SP exhibits similar flaws that indicates a serious lack of some very basic loudspeakers design criteria. The reasons for the shelved upper mid and mid bass is simply a lack of Baffle Step Compensation (http://sound.westhost.com/bafflestep.htm). A very basic thing to start with. Next, is the totally wacked transition from the mid to the tweeter. It is due to a phase mismatch along the XO poles between the drivers(If the mid even have a low pass XO). This contraption will not pass speaker building 101 in middle school. So if I dismiss a speaker based on its anechoic test result, it is not because it is not flat, in fact, that is hardly what I am looking at. And yes of course I heard them, how can you not if you are in to this silly hobby.

Dhaan, what handful of speakers do you like based on their measurements?

Dhaan,

The reason I asked if you've heard them is because your reaction to the speaker is unique IME. Incidentally I've never heard the Ovations, so please understand that no disrespect was intended.

Over the last 10 years, I've played them for - literally - dozens of people who own high end speakers and not one has commented on problems with the tonal balance - other than to note a slight warmth (my own opinion). BTW, I also own Merlin VSMs, which lean the other way, and played back to back, most people like both. The Merlins absolutely polarize opinion more than the P/Es which are IME universally admired.

If these speakers really sound dull through the presence range to you , then it's either peculiar to the "next generation" of Verity or peculiar to your taste. Notwithstanding "speaker building 101", you are the only person I've ever heard dismiss this speaker on this basis. BTW, the review attached to the FR graph you linked was a flat out rave.

If there is a body of opinion out there more critical of Verity, I've never seen it. This doesn't make you wrong, merely (as far as I know) an outlier.

Marty