Speaker Technology over the last 10 years

Rleff,

I have a Cary 306/200 CD player and a Moon Audio Integrated similar to the LSA integrated amp. My room is 12 x 15.

It really depends on the company, how active they are in R&D, and what they decide to do about it.

Case in point are my Mirage speakers. I bought a pair of M5si's in 1996, at the end of that product run. I still use them in the 7.1 home theater system. Last summer I bought a pair of Mirage OMD-15s for the 2-channel system in the living room.

Soundwise, the OMD-15 betters the M5si in every way:
o Airier, more extended treble
o Higher resolution--better nuance and low-level detail
o More omnidirectional dispersion pattern
o More transparent midrange
o Much clearer bass with equal extension (the M-series bass was formidable)

Yet the new design is much easier to own as well:
o Adjusted for inflation, it costs less
o Enclosure has curved walls, improving cabinet inertness
o Smaller tweeter improves speed and dispersion
o Mirage's patented ribbed elliptical surround enables better bass clarity, extension, and dynamics from a smaller driver (5.5")
o M5si was a 51"x14"x8" 85-lb. monolith; OMD-15 is 41"x8"x12" very stylish "lifestyle" column weighing 36 lbs.--Infinitely higher WAF and blends in much better with living space.
o OMD-15 is about 7dB more sensitive: M5si needed 150 highly damped watts bi-wired with $1200 worth of cable or more to come alive. I power the OMD-15 with an 85wpc Onkyo integrated with a damping factor of 25. The OMD-15 has better dynamic range at both ends, more clarity and transparency, cleaner, tighter bass, and more resolution overall.

In the last 10 years we've seen increasing use of neodymium magnets, curved-wall cabinets, drivers made of diamond, titanium, ceramic, and beryllium, more inert cabinet materials such as birch laminate from Europe, etc.

Even Cerwin-Vega has improved to the point that their CLS-215 has received favorable reviews from Absolute Sound and Soundstage.

So in many cases, you can get a speaker today that can do things a speaker in that price bracket from 10 years ago could not.

Concerning the preferences for panels vs. cone speakers:

You could always go for the speaker that has characteristics of both types--the cone speaker-based line array.

Like panels, they are fast and transparent, can have outstanding coherence, and keep the floor and ceiling reflections largely out of the equation. Unlike many panels, they generally present an easier load to the amp, and can play obscenely loud.

And then there's one area where they equal or exceed panels--total lack of WAF, what with the way line arrays' 6- and 7-foot tall columns completely take over a room. You might be able to sneak in the Scaenas IF she likes the bright red and the modern Euro look.

Objections to cones

cabinet colorations: Get rid of the cabinet or build a properly designed, sealed, and damped enclosure.

driver coherence: Put the crossover at the correct frequency for the size of the drivers, and move the crossover in front of the amplification.

metal based tweeters: Use silk domes.

Panels are great, and compared to most box speakers far better. What many fail to understand is that the qualities of panels are achievable with cones. A thoroughly thought out cone speaker is capable of the same qualities as panels, and at the same time, will avoid the pitfalls of large radiating surfaces.

I do know my Linn Isobarik DMS speakers bought back in the 80's are nothing more than garbage in, and certainly garbage out.