Speaker Technology over the last 10 years


I bought my last pair of speakers 13 years ago, Legacy Classic. How much has speaker technology changed since then? I know in terms of amp and cd player there has been tremendous advancements but what about speakers?

Are speakers for the most part dependent upon the source? I appreciate any comments.
revrob
04-22-09: Shadorne
However, I think you are mistaken about box speakers being systematically a problem due to the "box".
There is design, and then there is implementation. The $460,000 Saleen supercar uses a (gasp!) pushrod engine. Grado makes a wood-bodied $2500 moving iron cartridge. Grandprix Audio makes a $20,000 (w/o arm) S'phile Class A direct drive turntable. Every design concept has its strengths and weaknesses. How a design is implemented to mitigate those weaknesses and exploit the inherent strengths determines how successful the final product is.

Therefore, categorically dismissing a given design approach may cause you to miss out on some really good products.
Therefore, categorically dismissing a given design approach may cause you to miss out on some really good products.

Exactly. Panels are not the only way to make a great speaker.
if i could not tell i was listening to a cone design in a cabinet, i would seriously considder it. i know of no design which satiisfies the aforementioned requirement.

i have heard many, many cone designs.
MrTennis, have you heard Tannoy Monitor Gold drivers ? If yes compare to ESL57?
if i could not tell i was listening to a cone design in a cabinet, i would seriously considder it.

You are undoubtedly hearing the markedly different radiation pattern from large panels. There is a dipole effect for those that radiate backwards and there is plenty of lobing on the primary signal going forward. This results in a markedly different sound at the listening position. Since these effects are variable with frequency and hard to predict (room/listening dependent) they make panels unsuitable for monitoring (where accuracy at the listening position is needed). The increased ambience and comb filtering effects can create an impressive spacious sound and, in the right room/setup, can give a more natural ambience or a large space/hall - which will probably help most with classical genres.

I'd hazard a guess that the ambient sound field is what you enjoy so much about this type design. Panels are a good design for creating some excellent effects that add realism and can increase the enjoyment for many listeners.