Can speakers be too large for a room


The reason I ask this question is I recently moved from a 10 ft x 10 ft home office/listening room with a nearfield setup (B & W CM1 and a CM sub with a Bryston B100SST intergrated amp) Which sounded wonderful to a 11 ft x 18 ft office/soundproof listening room. So I purchased a pr. of Sofia's from audiogon. Although they sound very good. They seem to want more. It's hard to explain. I'm kinda new at the highend music. My new office is built for listening. I have lots of bass traps and reflection panel to help tame the small room. So accoustics are not a real problem. The sound seems to be a little restricted. The amp pushes 200 wpc @ 4 ohm. There is no way to turn the volume past halfway, but the speaker don't really start sounding there best until you turn up the volume. Which gets a little fatiguing after a while. I know these are not technical terms, but i don't know how to explain it.

My question is could the sofias be to much for the room.

If so what would be a good choice for a replacement. I mostly listen to jazz and blues with a little classic rock.

Price range 6k to 10k

Thx Matt
mwilliams
Dlcockrum

You bring up another good question. I've talked to the guy's at Wilson and they told me that the B100 should be plenty af amp for the speakers, But I've heard more than once that I need a larger amp. The is no way that I could make my amp clip without hearing protection. Why would I need more power. Remember I'm a newbie and us newbie's ask dumb questions

Ponnie,
I like the Harbeth's I've heard them at a studio i was working on. I did not buy the Wilson's because they sound so great. I bought them because I got such a great deal on them. Money talk's

Samhar

I've tried every set up known to the internet. One thing I am going to try is to raise the speakers some. This is my office, so my listening position is higher than normal. I,ve read that the tweeters should be about ear level. I am going to try and raise the speakers about 2 inches. When listening the soundstage seems to be a little low. Just another tweak to try.

Thanks guy's
"I've talked to the guy's Wilson and they told me that the B100 should be plenty af amp for the speakers,"

I use to run a Luxman L580 integrated 105w @8ohm driving a pair of inefficient 86db NHT3.3s ... could never turn volume up past 9 o'clock ... added the Rothwells and could now set volume as high as 1 o'clock restoring headroom and dynamics

Next I swapped the Lux out for a 500w@8ohm 960w @4ohm D500 Phase Linear

I sit 10 feet off the NHT3.3's tweeter's and have listening levels of 92 to 95db with peaks hitting 100db at my seating position

Funny thing is my P/Linear's meters tell me at those DB levels (92 to 95db) I'm only using 50 to 75 watts

If your current system was a quarter mile drag car ... you would be currently operating as if you had a throttle stop on the accelerator cable ... limiting the carb's ability to open up all the way producing maximum usable horse power

Your amp has the power to do the job, you just need to get that volume control operating in its sweet spot and allowing the amp to realize it's full potential for dynamics and headroom

Please accept my offer on the Rothwells ... all it will cost you is return shipping to 06484 CT.
Yes. Hope you have read Floyd Toole's 'Sound reproduction' to assure you have not missed all the issues that could be affecting your sound. The speakers and room are what you are hearing, so it may not be the speakers but their placement, room treatments etc.
I've read through all of this and it's not clear to me exactly what the symptoms are. That's no one's fault, of course, especially considering your statements about being a relative newbie, but I think that a more specific characterization of the problem would bring help that is better focused.

As I understand it, you have no problem driving the speakers to uncomfortably high volumes. But at comfortable volume levels there are problems in the highs. What sort of problems? Are they too weak generally, so that the sound is dull and muffled? Or are sharp transients sluggish? Or are they simply poorly defined and inaccurate. When you say "I removed the walls panel and it did help, but it still needs something at the reflection points," in what way did it help, and what leads you to say that it still needs something at the reflection points?

And what kind of music, among the jazz and blues that you primarily listen to, tends to bring out the problem to the greatest degree? Female voice? Certain instruments?

Regards,
-- Al