Hi Bryon,
OK, so much for that theory. Well, I'm left at a total loss in trying to suggest an explanation.
I can't envision how your observations could be related to interaction with room effects, as has been suggested. The effects of inverting the signal polarity into the speakers would be undone by either the polarity inversion or the lack of polarity inversion of some of the recordings you listened to, relative to the effects on other recordings that presumably have the opposite polarities. And add to that the fact that it is meaningless to speak of absolute phase preservation or polarity inversion on many recordings, because they comprise a combination of various sounds and instruments that may be mixed together with random phasing. All of which makes the consistency of your observations across a variety of recordings befuddling.
Best regards,
-- Al
OK, so much for that theory. Well, I'm left at a total loss in trying to suggest an explanation.
I can't envision how your observations could be related to interaction with room effects, as has been suggested. The effects of inverting the signal polarity into the speakers would be undone by either the polarity inversion or the lack of polarity inversion of some of the recordings you listened to, relative to the effects on other recordings that presumably have the opposite polarities. And add to that the fact that it is meaningless to speak of absolute phase preservation or polarity inversion on many recordings, because they comprise a combination of various sounds and instruments that may be mixed together with random phasing. All of which makes the consistency of your observations across a variety of recordings befuddling.
Best regards,
-- Al