Vandersteen 2C vs. Klipsch Cornwall

Viridian, that was very helpful - thanks. A few questions, please/thanks:
1. When you mentioned pinpoint imaging, do you mean the Klipsch's have no pinpont imaging or that they have almost no imaging at all other than "stereo"?
2. Please say more about what box coloration means and how much of it exists with the Klipsch's vs. the Vandys and how that impacts the musical enjoyement or lack thereof.
3. Are you saying the Klipsch's have as much weight or more weight or a lot more weight vs. the Vandys? Is that a reference mostly to the low end, or something else?
4. What does dynamic sweep mean?

I do like "pinpoint imaging" but I'm not getting that in my room from the Vandys; I did get it from the Soundlabs in the same room - although that could be the difference between not only the speakers but also the ARC solid state amp used with the Vandys and the ARC tube amps used with the SLs.

And to your point, I would definitely like to get past my Diana Krall and half a dozen other AB recordings. Your description of the Kipsch/tube amp experience seems pretty encouraging.

- one last question; can you typically put the Cornwalls right up against the back wall without getting bloat or do they need to be out some distance?

Thanks - and if any other posters want to chime in, all comments are highly welcome!

Viridian, another very cool post - Thanks!

"But there is a price to pay. Put your hands around your mouth and talk. What you hear is a coloration. A horn coloration. A little boxy, and a little nasal. My sensory gating tends to not even notice it in my horns, but it is there, all of the time. Every minute. And high sensitivity speakers require big boxes, which are less dead and resonate more than small, well braced boxes. Rap a wood table, what you hear is box coloration."
- so color means boxy, as opposed to open and airy?

"But the edge definition is softer at the edges of the image without the sharp image outlines that the best speakers present. And detail is clearer on most direct radiators."
- why is this, what causes it? (lack of cut down baffles like on Vandys and DQ-10s? maybe the big conventional driver doing too much of the mid frequencies? or something else?)

"I am in my local audio club and when I listen to my friends great systems - much greater than mine - I, and they, listen to the bass, the treble, the image, whatever. Horns put the presentation together in a way that mitigates that type of analysis."
- I would be happy to get off the analysis program

The Vandy 2C supposedly goes down to about 32Hz +/-1.5dB (but in my room they don't seem to get there); the Cornwall to 38Hz +/-3dB. What would you guess would be the real world hearable differences between the two on the low end?

- on a different note, do you have any preference between a 300B, 2A3, 45, or EL34, or other amp design with Klipsch's?

I recently had an enlightening experience with vintage horn loaded speakers in a second hand store. We connected the speakers to a Bogen integrated amp of the same vintage. The speaker wire was 24 gauge connected directly to the crossover. I put on a Sonny Rollins CD and my jaw hit the floor. I thought I was listening to a pair of Quads.
I concluded this terrific sound was partly due to the small speaker wire and the high efficiency speakers.

Vandersteen 2Cs will only play so loud. It doesn't seem to matter how much power you have the speaaker hits a brick wall. Besides, if you push the Vandersteens for long periods you ruin them. The crossover heats up and the result is damaged crossover parts. This is an ongoing problem with Vandersteen speakers.

Descriptions like 'open and airy' will be gone from your vocabulary. The band will be in your living room..'Room tunes?. We don't need no stinking room tunes'. The cool factor is an 11 out of 10.