08-15-15: Mattnshilp
I found the Vandy 7 a tad veiled on the upper registers. It was subtle and didn't really effect my overall impression. They just didn't extend with the accuracy and finesse that the Coltrane Tenor did. Interestingly, it was the same on the low end. The Tenors maintained a better sense of control, impact, extension and finesse in the lower registers than the Vandy. I think the forward firing long excursion twin 8's with down firing port helped to keep the room further from the equation then the down firing, side vented Vandy's. I felt the rumble and heard all the notes, they were right and proper and had both accurate rise and decay but I didn't get that punch in the chest when expected like I did with the Tenors. I also felt that on rare occasions the base became disconnected from the rest of the music, like I could hear that it was being amplified by a different amplifier; the tone subtly shifted and it became identifiable that there was a subwoofer and monitor, and not just a speaker. Other then that, they did everything right.
Every speaker with power woofers I have heard has that same subtle discontinuity. Time to bend over Matt and accept reality. The Tenors appear to be your speakers......