Capacitor log Mundorf Silver in Oil


I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
The WE wire is on it's way.

From someone who said they did not care for the wire it has an amazing mid range. That is a pretty big deal!

WE 16ga vs. Duelund Silver 2.0. (slight cost difference)

Loser goes to the vastly improving office system. Both are needed! (assuming as many of you do WE is very good)

Who wins guys?

I must say it is fun having a second system. (if it is close to main one)
Michael Fremer article on capacitors and resistors.

Question to Micheal?

What importance do you think to the use of built in elements in products? Is there a need of exotics parts?

I am not sure what you mean by "built in elements". Need for 'exotic parts'? Some people swear by certain brands of capacitors and resistors for instance that are far more expensive than commercial ones. I sat through a demo at Ypsilon in Greece where designer Demetris Backlavas swapped out but ONE capacitor in a very simple amp circuit he was working on and the sonic difference was ENORMOUS. So yes, I believe the designers who listen through, part by part, get the best results.
Micheal Fremer on best system he ever heard in life.

The same system where his quote there was an ENORMOUS difference in one capacitor.

Best system ever heard in you life?

A fellow in Greece who was kind enough to fly me over to hear his system. Enormous Cessaro horns, custom made, driven by Audio Note SET amps, Continuum Caliburn, Ypsilon preamp and phono preamp DCS digital. The key was an enormous listening room, custom built and treated. The room has a balcony!!!!! It produced a life-sized picture that was coherent, transparent, musical and believable as no other system in my experience has matched. Mine is great, but in miniature. I'm in a relatively small room. It's enveloping and creates a good illusion but his illusion was on a scale you'd have to hear to believe.
I had mentioned synergy before.

In the office system I bought a pair of Klipsch Heresy's. I bought them for one reason the Alnico Tweeter. My Lascala's have Alnico dual phase mid range driver. (most sought after only made for a matter of months)

I thought the Heresy's were awful.

I put a bunch of unused caps in the amp. VCap Cuft, Jupiter Copper foil and Jensen Copper Paper tube.

All are very low noise caps.

I can not believe the difference! The mating is fantastic!

Heresy's known as shouty, mid range, no bass speakers. Jupiter caps are VERY quiet. Jensen caps tip sound to bass.

Anyone who has followed this thread would have heard especially Grannyring and myself seeing Duelund vs. Jupiter or other caps slightly different. (on which choice)

I think this has much to do with system synergy.

These are all good caps and can have to do with which application.

This same amp got smoked with my all Duelund crossover Lascala's.

I think a couple more tweaks and this office system will be fantastic. I best part was the speakers were not even bought except for spare parts! (after vesting so much money in Duelund I wanted spare compression drivers)
Tonight going to fire up the soldering iron!

Finishing amp getting ready for this WE wire! (loading in VCap Cuft and Jensen)

You guys have me pumped.