Thanks, Al, for your informative input as always.
What intrigues me is what I hear when I add a preamp in the chain(I started off direct from source to power amp).
I get more :-
1. dynamics
2. air around instruments
3. tonal body to instruments
4. solid bass foundation for orchestral works
5. soundstage depth, width and height
6. liquid flow of musical notes
7. musicality or PRAT
If all that is distortion, euphemisms aside, then so be it. Instruments just sound more natural and live than without the preamp.
When the supposedly more "accurate" signal sounds less natural and live, then things get very puzzling here. I can only trust my own ears, all electronics theory aside.
Cheers! J.
What intrigues me is what I hear when I add a preamp in the chain(I started off direct from source to power amp).
I get more :-
1. dynamics
2. air around instruments
3. tonal body to instruments
4. solid bass foundation for orchestral works
5. soundstage depth, width and height
6. liquid flow of musical notes
7. musicality or PRAT
If all that is distortion, euphemisms aside, then so be it. Instruments just sound more natural and live than without the preamp.
When the supposedly more "accurate" signal sounds less natural and live, then things get very puzzling here. I can only trust my own ears, all electronics theory aside.
Cheers! J.